大流行病时期的诗学。总会有之前和之后

Q3 Social Sciences
L. Correa
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引用次数: 0

摘要

这篇论文反映了悉尼封锁对艺术家和创意人员的影响。我们分享了我们在新冠肺炎之前如何想象我们的生活的个人故事,以及我们在进入大流行模式后观察到的变化。我们将用手机拍摄的图像和文字交织在一起,墙上和人行道上:决定社交互动和影响行为的标志我们还谈到了写作如何把我们带回家,让我们感觉更接近自己的语言和原籍国的想法。我们强调戏剧讲述疫情时期故事的重要性,当时政府因缺乏对最弱势群体的照顾而被发现缺乏能力,特别是原住民。我们反思重塑、接受变革、重新评估我们的人类价值观以及展现我们与自然世界的联系的必要性。随着疫情将我们从一个阶段带到下一个阶段,我们认为,创造力是一个可能的空间,它提供了解脱和希望,并为理解我们的新现实开辟了可能性,同时有助于形成集体的人性©2021作者
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Poetics in the Time of Pandemic. There is Always Going to be a Before and an After
This paper reflects on the impact of lockdown in Sydney on artists and creatives We share our personal story of how we imagined our lives would be before COVID-19 and the changes we observed after entering in pandemic mode Intertwining images taken with a mobile phone and text, we offer our observations on the evolving new language that appears around us in supermarkets, on walls and on the footpath: signs determining social interactions and affecting behaviour We also touch on the idea of how writing can bring us home and make us feel closer to our languages and countries of origin We underline theatre’s importance to tell stories from the time of the pandemic, when governments have been found wanting due to lack of care of the most vulnerable, in particular First Nations peoples We reflect on the need for reinvention, accepting change, reassessing our human values and making present our links to the natural world As the pandemic takes us from one stage to the next, we suggest that creativity is the one possible space that offers relief and hope and opens up possibilities to make sense of our new reality while contributing to a collective sense of humanity © 2021 by the author(s)
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
4
审稿时长
52 weeks
期刊介绍: PORTAL Journal of Multidisciplinary International Studies is a fully peer reviewed journal with two main issues per year, and is published by UTSePress. In some years there may be additional special focus issues. The journal is dedicated to publishing scholarship by practitioners of—and dissenters from—international, regional, area, migration, and ethnic studies. Portal also provides a space for cultural producers interested in the internationalization of cultures. Portal is conceived as a “multidisciplinary venture,” to use Michel Chaouli’s words. That is, Portal signifies “a place where researchers [and cultural producers] are exposed to different ways of posing questions and proffering answers, without creating out of their differing disciplinary languages a common theoretical or methodological pidgin” (2003, p. 57). Our hope is that scholars working in the humanities, social sciences, and potentially other disciplinary areas, will encounter in Portal scenarios about contemporary societies and cultures and their material and imaginative relation to processes of transnationalization, polyculturation, transmigration, globalization, and anti-globalization.
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