{"title":"《梦中着装:一个黑人女孩写给时尚力量的情书","authors":"Dyese L. Matthews, Kelly L. Reddy-Best","doi":"10.1080/03612112.2021.1857561","DOIUrl":null,"url":null,"abstract":"In Dressed in Dreams: A Black Girl’s Love Letter to the Power of Fashion, Tanisha Ford PhD, Professor of History at the CUNY Graduate Center in New York City, takes the reader on a journey through her life with a fashion studies lens. Ford, who was born in 1979, draws upon her personal memories to tell indepth stories of the significant role fashion played in her life as a Black woman coming of age in Fort Wayne, Indiana. Each chapter is centered around one article of clothing or style of appearance, including a dashiki, leather jacket, Jheri curl, tennis shoes, baggy jeans, coochie cutters, knee-high boots, bamboo earrings, afro puff, hoodie, and designer handbag. The book is a story of how fashion allowed Ford to “feel things. All the things” (3). Throughout the text, she","PeriodicalId":42364,"journal":{"name":"Dress-The Journal of the Costume Society of America","volume":"47 1","pages":"99 - 102"},"PeriodicalIF":0.2000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/03612112.2021.1857561","citationCount":"4","resultStr":"{\"title\":\"Dressed in Dreams: A Black Girl’s Love Letter to the Power of Fashion\",\"authors\":\"Dyese L. Matthews, Kelly L. Reddy-Best\",\"doi\":\"10.1080/03612112.2021.1857561\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In Dressed in Dreams: A Black Girl’s Love Letter to the Power of Fashion, Tanisha Ford PhD, Professor of History at the CUNY Graduate Center in New York City, takes the reader on a journey through her life with a fashion studies lens. Ford, who was born in 1979, draws upon her personal memories to tell indepth stories of the significant role fashion played in her life as a Black woman coming of age in Fort Wayne, Indiana. Each chapter is centered around one article of clothing or style of appearance, including a dashiki, leather jacket, Jheri curl, tennis shoes, baggy jeans, coochie cutters, knee-high boots, bamboo earrings, afro puff, hoodie, and designer handbag. The book is a story of how fashion allowed Ford to “feel things. All the things” (3). Throughout the text, she\",\"PeriodicalId\":42364,\"journal\":{\"name\":\"Dress-The Journal of the Costume Society of America\",\"volume\":\"47 1\",\"pages\":\"99 - 102\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/03612112.2021.1857561\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dress-The Journal of the Costume Society of America\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03612112.2021.1857561\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dress-The Journal of the Costume Society of America","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03612112.2021.1857561","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 4
摘要
在《Dressed In Dreams:A Black Girl’s Love Letter to the Power of Fashion》一书中,纽约市立大学研究生中心历史教授Tanisha Ford博士以时尚研究的视角带领读者踏上了她的人生旅程。福特出生于1979年,她利用自己的个人记忆,深入讲述了时尚在印第安纳州韦恩堡长大的黑人女性生活中扮演的重要角色。每一章都围绕着一件衣服或外观风格展开,包括dashiki、皮夹克、Jheri卷发、网球鞋、宽松牛仔裤、coochie裁剪机、过膝长靴、竹耳环、非洲泡芙、连帽衫和名牌手提包。这本书讲述了时尚如何让福特“感受事物。所有的事物”(3)。在整个文本中,她
Dressed in Dreams: A Black Girl’s Love Letter to the Power of Fashion
In Dressed in Dreams: A Black Girl’s Love Letter to the Power of Fashion, Tanisha Ford PhD, Professor of History at the CUNY Graduate Center in New York City, takes the reader on a journey through her life with a fashion studies lens. Ford, who was born in 1979, draws upon her personal memories to tell indepth stories of the significant role fashion played in her life as a Black woman coming of age in Fort Wayne, Indiana. Each chapter is centered around one article of clothing or style of appearance, including a dashiki, leather jacket, Jheri curl, tennis shoes, baggy jeans, coochie cutters, knee-high boots, bamboo earrings, afro puff, hoodie, and designer handbag. The book is a story of how fashion allowed Ford to “feel things. All the things” (3). Throughout the text, she