运动作为医学,舞蹈作为生存:新冠肺炎期间的本土开垦与创新

K. Mattingly, Tria Blu Wakpa
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引用次数: 2

摘要

本土筛查挑战了美国定居者的殖民建设,这些建设推动了政治、环境和全球的不公正,而Covid-19大流行加剧了这种不公正。这篇文章分析了舞蹈地球创作创始人兼总监茹兰·唐根在2020年开设的在线工作坊,称之为“运动如药”和“放映如生存”。通过将Tangen的工作坊与土著人民对舞蹈和数字领域的历史和持续使用联系起来,我们展示了这些实践如何以及为什么提供了强大的可能性,以对抗人类中心主义、笛卡尔二元论、父权制和时间顺序的殖民概念。Tangen的教学为人类和超越人类的事物——即土地、宇宙、非人类动物、水和植物——提供了(重新)联系的途径,借鉴过去想象未来,建立人类团结,我们将其理论化为“回家”。最终,我们将“回家”的概念与土地归还运动联系起来,因为土著身体、主权和生存之间存在着至关重要的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Movement as Medicine and Screendance as Survivance: Indigenous Reclamation and Innovation During Covid-19
Indigenous screendance challenges US settler colonial constructions that drive political, environmental, and global injustices, which the Covid-19 pandemic has exacerbated. This article analyzes online workshops taught in 2020 by Rulan Tangen, Founder and Director of DANCING EARTH CREATIONS, as "movement as medicine" and "screendance as survivance." By connecting Tangen's workshops to Indigenous peoples' historical and ongoing uses of dance and the digital sphere for wellbeing and survival, we show how and why these practices provide powerful possibilities to counter settler colonial concepts of anthropocentrism, Cartesian dualism, patriarchy, and chronological time. Tangen's teaching offers ways for humans and more-than-humans—meaning land, cosmos, nonhuman animals, water, and plants—to (re)connect, drawing on the past to imagine the future and building human solidarity, which we theorize as "homecoming." Ultimately, we link our concept of "homecoming" to the Land Back movement because of the vital connections among Indigenous bodies, sovereignty, and survival.
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