Abraham Ortelius的肺线状图

IF 0.1 Q4 CULTURAL STUDIES
Stephanie Shiflett
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引用次数: 1

摘要

地图经常被用作政治宣传的工具,特别是在弗朗西斯一世统治时期(1515-1547)。地图学作为一种高度灵活的表现方式,可以编码任何数量的精神或政治信息。亚伯拉罕·奥特利乌斯利用了这种可能性,他在1564年的世界地图上画了一个独特的肺的形状,这让人联想到1541年吉玛·弗里斯乌斯的地图,也间接地联想到异教解剖学家和制图师迈克尔·塞尔维特的哲学。本文描述了奥特利乌斯生活和工作的背景:在西班牙菲利普二世统治时期的安特卫普,他目睹了天主教国王在低地国家的镇压政策。本文借鉴了将奥特留斯与《爱之家》联系起来的学术成果,以论证他的精神信仰是通过他的世界地图表达出来的。本文并非试图对奥特利乌斯的神学进行权威性的研究,而是展示了奥特利乌斯作为一名制图师是如何参与宗教改革后欧洲的宗教和政治话语的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Abraham Ortelius's Pulmonary Cordiform Map
abstract:Maps have often served as tools of political propaganda, particularly in the reign of Francis I (1515–1547). Cartography, as a highly flexible mode of representation, could encode any number of spiritual or political messages. Abraham Ortelius exploited this possibility by giving his world map of 1564 the distinct shape of a lung, which evoked both a 1541 map by Gemma Frisius and, indirectly, the philosophy of the heretical anatomist and cartographer Michael Servetus. This article describes the context in which Ortelius lived and worked: in Antwerp during the turbulent reign of Philip II of Spain, where he witnessed the Catholic king's repressive policies in the Low Countries. This article draws on the scholarship that connects the cartographer to the Family of Love in order to argue that Ortelius's spiritual beliefs were expressed through his world maps. Rather than attempting a definitive investigation of Ortelius's theology, this essay shows how Ortelius's work as a cartographer participated in the religious and political discourses of post-Reformation Europe.
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