{"title":"跨越网络空间和时区:如何探索自我在物质和数字空间中的表现","authors":"Stephanie Fung, Jeff McGilton","doi":"10.3138/ctr.191.018","DOIUrl":null,"url":null,"abstract":"Abstract:After watching the same show over the course of three separate performances, Stephanie Fung and Jeff McGilton come to their own conclusions about Ways of Being, the final instalment in the Kingston-based Kick and Push Festival 2021. Presented live by Toronto-based Clayton Lee and Kraków-based Michael Rubenfeld, the performance was an investigation of connectivity across geographical space and time zones, using a participatory structure to subtly investigate our ways of being. The participatory nature of the piece informed its undeniable feeling of liveness, changing and developing with whoever was in attendance. Fung and McGilton consider how this work-in-progress invokes an understanding of presence, performances of self, and (re)connection through creative implementations of emerging technologies.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Across Cyberspace and Time Zones: How Ways of Being Explores Performances of Self in Material and Digital Spaces\",\"authors\":\"Stephanie Fung, Jeff McGilton\",\"doi\":\"10.3138/ctr.191.018\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:After watching the same show over the course of three separate performances, Stephanie Fung and Jeff McGilton come to their own conclusions about Ways of Being, the final instalment in the Kingston-based Kick and Push Festival 2021. Presented live by Toronto-based Clayton Lee and Kraków-based Michael Rubenfeld, the performance was an investigation of connectivity across geographical space and time zones, using a participatory structure to subtly investigate our ways of being. The participatory nature of the piece informed its undeniable feeling of liveness, changing and developing with whoever was in attendance. Fung and McGilton consider how this work-in-progress invokes an understanding of presence, performances of self, and (re)connection through creative implementations of emerging technologies.\",\"PeriodicalId\":42646,\"journal\":{\"name\":\"CANADIAN THEATRE REVIEW\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CANADIAN THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/ctr.191.018\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CANADIAN THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/ctr.191.018","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
摘要
摘要:Stephanie Fung和Jeff McGilton在三场不同的演出中观看了同一个节目后,对《存在的方式》(Ways of Being)得出了自己的结论,这是2021年金斯敦踢馆节(Kick and Push Festival 2021)的最后一期。这场演出由多伦多的Clayton Lee和克拉科夫的Michael Rubenfeld现场表演,调查了地理空间和时区的连通性,使用参与式结构巧妙地调查了我们的存在方式。作品的参与性赋予了它不可否认的活力感,与在场的人一起变化和发展。Fung和McGilton考虑了这项正在进行的工作如何通过创造性地实现新兴技术来唤起对存在、自我表现和(重新)联系的理解。
Across Cyberspace and Time Zones: How Ways of Being Explores Performances of Self in Material and Digital Spaces
Abstract:After watching the same show over the course of three separate performances, Stephanie Fung and Jeff McGilton come to their own conclusions about Ways of Being, the final instalment in the Kingston-based Kick and Push Festival 2021. Presented live by Toronto-based Clayton Lee and Kraków-based Michael Rubenfeld, the performance was an investigation of connectivity across geographical space and time zones, using a participatory structure to subtly investigate our ways of being. The participatory nature of the piece informed its undeniable feeling of liveness, changing and developing with whoever was in attendance. Fung and McGilton consider how this work-in-progress invokes an understanding of presence, performances of self, and (re)connection through creative implementations of emerging technologies.