行走,铭记大屠杀:强迫行走:纪念以斯帖,躯体和数字创意实践的案例研究

Q1 Arts and Humanities
R. White
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引用次数: 1

摘要

摘要本文讨论了一个行走和多媒体艺术项目,旨在更新大屠杀证词的代理权,并产生当代共鸣。《强迫行走》是一个由艺术家理查德·怀特和洛娜·布伦斯坦发起的推测性、社会参与的实验项目。《荣誉埃丝特》(2015–2017)是第一个“强迫行走”项目,它走的是纳粹死亡游行的路线,该游行被数字转换到萨默塞特郡(英国),随后在德国下萨克森州追溯。该项目让步行者共同创造了一个内在的反射空间,体现在标记制作、社交媒体和装置中。提出了一个新兴的体细胞/数字混合过程,即在特定的大屠杀背景下“回归”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Walking-with, re-membering the Holocaust: Forced Walks: Honouring Esther, a case study of somatic and digital creative practice
ABSTRACT The paper discusses a walking and multi-media arts project seeking to renew agency in Holocaust testimony and generate contemporary resonances. Forced Walks is a programme of speculative, socially engaged experiments, initiated by artists Richard White and Lorna Brunstein. Honouring Esther (2015–2017), the first Forced Walks project, walked the route of a Nazi Death March digitally transposed to Somerset (UK), subsequently retracing it in Lower Saxony, Germany. The project engaged walkers in co-creating an immanent reflective space materialized in mark-making, social media and installation. An emergent hybrid somatic/digital process, ‘making the return’ in a specific Holocaust context, is presented.
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来源期刊
Holocaust Studies
Holocaust Studies Arts and Humanities-History
CiteScore
1.20
自引率
0.00%
发文量
31
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