喜剧有三:为喜剧三重幽默技术发展一个概念框架

Q1 Arts and Humanities
Matthew McKeague
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引用次数: 4

摘要

幽默研究有机会扩展其基本理论,并开发幽默技术的笑话结构分析工具,如喜剧三重。尽管它在喜剧艺术中使用,但缺乏关于喜剧三重策略的研究,其中一个笑话的三个组成部分按顺序出现。第一个组件建立了一个笑话的设置,第二个组件加强了这个设置,第三个组件用一个惊喜来反驳这个模式。以幽默的不协调理论为理论基础,作者提出了一个概念框架来解释和分析喜剧三重,并将其应用于视觉幽默和脱口秀以外的喜剧形式,这方面的研究已经进行了。这一概念框架以图形的方式呈现了漫画三重的理论结构,显示为一个线性过程。在文章的最后一部分,将喜剧三重概念框架应用于三个Stooges的短片《Punch Drunks》作为一个例子分析,说明了在学术背景下定义良好的幽默策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Comedy comes in threes: developing a conceptual framework for the comic triple humour technique
Abstract There is an opportunity in humour studies to expand its fundamental theories and develop joke structure analysis tools for humour techniques such as the Comic Triple. Despite its use in the comedic arts, there is a lack of research regarding the Comic Triple tactic wherein three components of a joke appear in a sequence. The first component establishes a joke’s setup, the second reinforces the setup, and the third contradicts this pattern with a surprise. Using the Incongruity Theory of humour as a theoretical basis, the author proposes a conceptual framework for explaining and analysing the Comic Triple with applications to visual humour and comedic outlets other than stand-up comedy, where research has already been conducted. This conceptual framework graphically presents a theoretical construct of the Comic Triple displayed as a linear process. In the final portion of the article, the Comic Triple Conceptual Framework is applied to The Three Stooges’ short film Punch Drunks as an example analysis, illustrating a well-defined humour tactic within an academic context.
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来源期刊
Comedy Studies
Comedy Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.60
自引率
0.00%
发文量
26
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