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引用次数: 0
摘要
本文从媒体对米歇尔·摩根的报道、大众杂志对她的评价以及读者来信等方面分析了她在1937年至1939年间迅速成为明星的过程。本文从文化历史与明星和性别研究相结合的角度，分析了三本专业电影杂志(cin monde, cin - miroir, Pour Vous)，同时探讨了女性媒体及其读者(《信心》，《Marie-Claire》，《Midinette》，《nouveaut》)对正在形成的年轻“明星”的兴趣。在观察了摩根作为一名新型明星的启示和崛起，以及她的人格的建构和意义，特别是与她的“牺牲”表演和她的“雕像”体格有关的内容之后，文章讨论了围绕她的多重争议和指责的代际、性别和阶级含义。
‘A star is born’: Michèle Morgan’s rapid rise to stardom in popular magazines (1937–1939)
ABSTRACT This article analyses Michèle Morgan’s rapid rise to stardom between 1937 and 1939 through the prism of her media coverage and her reception in popular magazines and their readers’ letters. From a perspective combining cultural history with star and gender studies, the article is based on an analysis of three specialised film magazines (Cinémonde, Ciné-Miroir, Pour Vous) while exploring the interest shown by the women’s press and its readership (Confidences, Marie-Claire, Midinette, Nouveauté) in the young ‘star’ in the making. After observing Morgan’s revelation and rise as a new type of star, the construction and meanings of her persona, particularly in relation to her ‘sacrificial’ performances and her ‘statuesque’ physique, the article discusses the generational, gender and class implications of the multiple controversies and appropriations surrounding her.
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