{"title":"学生在合唱指挥训练过程中节奏感的培养","authors":"N. Xue","doi":"10.5216/MH.V20.65443","DOIUrl":null,"url":null,"abstract":"The purpose of this article is to study the effectiveness of pedagogical and psychological conditions that form a sense of rhythm in students (n=200) involved in conducting. The study was conducted in 2017-2019 among 1-2 year students from Central Conservatory of Music in Beijing (China). In the control part of the experiment, 42% of students were in the group with a low level of rhythm perception. The number of students with a low level of intonation of musical rhythm was reduced by 2.0 times, a combined response as a key element of the conductor gestures of conducting was increased by 2.81 times.","PeriodicalId":41009,"journal":{"name":"Musica Hodie","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2020-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"The development of a sense of rhythm in students in the process of choral conducting training\",\"authors\":\"N. Xue\",\"doi\":\"10.5216/MH.V20.65443\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The purpose of this article is to study the effectiveness of pedagogical and psychological conditions that form a sense of rhythm in students (n=200) involved in conducting. The study was conducted in 2017-2019 among 1-2 year students from Central Conservatory of Music in Beijing (China). In the control part of the experiment, 42% of students were in the group with a low level of rhythm perception. The number of students with a low level of intonation of musical rhythm was reduced by 2.0 times, a combined response as a key element of the conductor gestures of conducting was increased by 2.81 times.\",\"PeriodicalId\":41009,\"journal\":{\"name\":\"Musica Hodie\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-12-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Musica Hodie\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5216/MH.V20.65443\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musica Hodie","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5216/MH.V20.65443","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
The development of a sense of rhythm in students in the process of choral conducting training
The purpose of this article is to study the effectiveness of pedagogical and psychological conditions that form a sense of rhythm in students (n=200) involved in conducting. The study was conducted in 2017-2019 among 1-2 year students from Central Conservatory of Music in Beijing (China). In the control part of the experiment, 42% of students were in the group with a low level of rhythm perception. The number of students with a low level of intonation of musical rhythm was reduced by 2.0 times, a combined response as a key element of the conductor gestures of conducting was increased by 2.81 times.