{"title":"37个有趣的片段:UoS喜剧和表演艺术项目集合","authors":"I. Wilkie, Richarde Talbot","doi":"10.1080/2040610x.2023.2188834","DOIUrl":null,"url":null,"abstract":"Abstract What follows is an account of the ongoing University of Salford (UoS) Comedy and Performance Art Project. This has evolved into a series of staged and recorded ‘Non-Events’ that broadly seek to uncover any interactions between the fields of Comedy Practices and Performance Art. The report that follows takes the form of a ‘Kaprow-ian assemblage’ of fragments that attempts to capture both the rationale and the spirit of enquiry behind the UoS Comedy and Performance Art Project.","PeriodicalId":38662,"journal":{"name":"Comedy Studies","volume":"14 1","pages":"247 - 262"},"PeriodicalIF":0.0000,"publicationDate":"2023-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"37 Funny fragments: the UoS Comedy and Performance Art Project assemblage\",\"authors\":\"I. Wilkie, Richarde Talbot\",\"doi\":\"10.1080/2040610x.2023.2188834\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract What follows is an account of the ongoing University of Salford (UoS) Comedy and Performance Art Project. This has evolved into a series of staged and recorded ‘Non-Events’ that broadly seek to uncover any interactions between the fields of Comedy Practices and Performance Art. The report that follows takes the form of a ‘Kaprow-ian assemblage’ of fragments that attempts to capture both the rationale and the spirit of enquiry behind the UoS Comedy and Performance Art Project.\",\"PeriodicalId\":38662,\"journal\":{\"name\":\"Comedy Studies\",\"volume\":\"14 1\",\"pages\":\"247 - 262\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-03-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comedy Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/2040610x.2023.2188834\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comedy Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/2040610x.2023.2188834","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
37 Funny fragments: the UoS Comedy and Performance Art Project assemblage
Abstract What follows is an account of the ongoing University of Salford (UoS) Comedy and Performance Art Project. This has evolved into a series of staged and recorded ‘Non-Events’ that broadly seek to uncover any interactions between the fields of Comedy Practices and Performance Art. The report that follows takes the form of a ‘Kaprow-ian assemblage’ of fragments that attempts to capture both the rationale and the spirit of enquiry behind the UoS Comedy and Performance Art Project.