斯科特·菲茨杰拉德小说《了不起的盖茨比》中的意识形态反思(后殖民文学)

Sulistyaningsih Sulistyaningsih, D. Sari
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引用次数: 3

摘要

本研究旨在揭示菲茨杰拉德小说《了不起的盖茨比》对后殖民主义的文化反思。本研究采用后殖民文学的分析方法,以殖民行为的形式传给弱者,即自觉或不自觉地成为意识形态压迫和权力霸权对象的被殖民者。数据收集技术包括阅读、识别、分类、解释和推断。对小说中事件的分析结果表明,对殖民意识形态的描述是以混合意识形态、模仿、种族主义、种族歧视、性别歧视和阶级主义的形式出现的。作者描述说,盖茨比在努力改变自己的社会地位,成为一名被指定为爵士乐队的富人,以吸引他的前女友德西的过程中,反映了混合、模仿、种族主义和种族主义的意识形态,德西离开了他,嫁给了汤姆,汤姆向被殖民的当地居民反映了阶级主义和性别歧视的意识形态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Ideological Reflection in F. Scott Fitzgerald's Novel, The Great Gatsby, (Post-Colonial Literature)
 This study aims to disclose the cultural reflection of post-colonialism in F. Scott Fitzgerald’s novel, The Great Gatsby. This research uses analytical approach of post-colonial literature in the form of colonial behavior passed down to the weak, namely the colonized who consciously or unconsciously becomes the object of ideological oppression and power hegemony. The data collection techniques were reading, identifying, classifying, interpreting, inferring. The results of the analysis of  events in the novel suggest that the descriptions of the colonized  ideology are in the forms of hybrid ideology, mimicry, ethnicism, racism, sexism, and classism. The author describes that Gatsby has reflected ideology of hybrid, mimicry, racism, and ethnicism in his struggle to change his social status to be a rich man designated as the Jazz to attract Desy, his former girlfriend who has left him to marry Tom who has reflected ideology of classism and sexism to the colonialized native inhabitant.
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