{"title":"爱的因果报应","authors":"Cuong T. Mai","doi":"10.1525/vs.2021.16.3.1","DOIUrl":null,"url":null,"abstract":"This essay examines Vietnamese tales of marvels [kỳ] and the uncanny [quái] composed in Literary Sinitic and offers close readings of four narratives through focusing on the theme of predestined love [duyên]. The essay shows that the discourse of duyên was embedded in both Confucian and Daoist voices and that this reflected a common cultural repertoire in which the discourse of social karma was a part of a shared moral metaphysics. The essay offers a theory and methodology for examining tales of marvels and the uncanny, arguing that heretofore scholars have read around the depictions of religious phenomena, rather than by means of them.","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Karma of Love\",\"authors\":\"Cuong T. Mai\",\"doi\":\"10.1525/vs.2021.16.3.1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay examines Vietnamese tales of marvels [kỳ] and the uncanny [quái] composed in Literary Sinitic and offers close readings of four narratives through focusing on the theme of predestined love [duyên]. The essay shows that the discourse of duyên was embedded in both Confucian and Daoist voices and that this reflected a common cultural repertoire in which the discourse of social karma was a part of a shared moral metaphysics. The essay offers a theory and methodology for examining tales of marvels and the uncanny, arguing that heretofore scholars have read around the depictions of religious phenomena, rather than by means of them.\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"2021-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/vs.2021.16.3.1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/vs.2021.16.3.1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This essay examines Vietnamese tales of marvels [kỳ] and the uncanny [quái] composed in Literary Sinitic and offers close readings of four narratives through focusing on the theme of predestined love [duyên]. The essay shows that the discourse of duyên was embedded in both Confucian and Daoist voices and that this reflected a common cultural repertoire in which the discourse of social karma was a part of a shared moral metaphysics. The essay offers a theory and methodology for examining tales of marvels and the uncanny, arguing that heretofore scholars have read around the depictions of religious phenomena, rather than by means of them.
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