存在与艺术:论海德格尔的艺术认识论价值

IF 0.1 4区 哲学 0 RELIGION
Jochen Briesen, Rico Gutschmidt
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引用次数: 0

摘要

在这篇文章中,海德格尔的艺术论文,正如他在《论艺术作品的起源》一文中所发展的那样,被重建、解读和批判性地评价。在这样做的过程中,我们追求三重目标。首先,他的艺术论文是与他的哲学主题有关的:存在问题。其次,对海德格尔认为艺术具有认识价值的不同方式进行了详细的辨析和重构。第三,海德格尔的论文与当代关于艺术认识价值的争论有关,并进行了批判性的讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sein und Kunst: Zum epistemischen Wert der Kunst bei Heidegger
In this essay, Heidegger's theses on art, as he develops them in the text "On the Origin of the Work of Art," are reconstructed, interpreted, and critically evalua- ted. In doing so, we pursue a threefold goal. First, his theses on art are put in relation to the main theme of his philosophy: the question of being. Second, the different ways in which Heidegger takes art to be epistemically valuable are dif- ferentiated and reconstructed in detail. Third, Heidegger's theses are related to the contemporary debate on the epistemic value of art and critically discussed.
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
39
期刊介绍: Mit diesem Doppelheft beginnt die Zeitschrift für philosophische Forschung ihren 50. Jahrgang. Ihre Gründung im Frühjahr 1946 verdankt sie einem glücklichen Zusammenwirken. Die Initiative eines Münchner Philosophen aus Bulgarien verbindet sich mit dem Sachverstand namhafter Professoren, die damals noch aus ganz Deutschland, nicht nur dem Westen kommen. Ob er sie "nur" als Autoren oder zusätzlich für den Beirat der Redaktion gewinnt - von Anfang an versichert sich Georgi Schischkoff der Mitarbeit fast aller großen Namen der Zeit. Zunächst sind es etwa der Philosoph und Pädagoge Friedrich Bollnow, der Platon-Forscher Ernst Hoffmann, der Philosoph und Psychologe Philipp Lersch und die Philosophen Walter Bröcker und Wilhelm Weischedel.
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