{"title":"空间框架:摄影、建筑和社会景观","authors":"L. Somers","doi":"10.1080/03087298.2021.2020477","DOIUrl":null,"url":null,"abstract":"until now to understand Changing New York. Miller succeeds in collating and organising the available material evidence and intelligently relating it to ideas and historical context, but the responsibility for overpromising on the delivery of a lost work may not lay solely on her shoulders. In an ironic repetition of history, perhaps the publisher is once more pushing an agenda on Changing New York.","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"45 1","pages":"105 - 107"},"PeriodicalIF":0.3000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Space Framed: Photography, Architecture and the Social Landscape\",\"authors\":\"L. Somers\",\"doi\":\"10.1080/03087298.2021.2020477\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"until now to understand Changing New York. Miller succeeds in collating and organising the available material evidence and intelligently relating it to ideas and historical context, but the responsibility for overpromising on the delivery of a lost work may not lay solely on her shoulders. In an ironic repetition of history, perhaps the publisher is once more pushing an agenda on Changing New York.\",\"PeriodicalId\":13024,\"journal\":{\"name\":\"History of Photography\",\"volume\":\"45 1\",\"pages\":\"105 - 107\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"History of Photography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03087298.2021.2020477\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"History of Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03087298.2021.2020477","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Space Framed: Photography, Architecture and the Social Landscape
until now to understand Changing New York. Miller succeeds in collating and organising the available material evidence and intelligently relating it to ideas and historical context, but the responsibility for overpromising on the delivery of a lost work may not lay solely on her shoulders. In an ironic repetition of history, perhaps the publisher is once more pushing an agenda on Changing New York.
期刊介绍:
History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.