从权利到文学：博卡乔和小说的（重新）编纂

IF 0.2 0 LITERARY THEORY & CRITICISM

Acta Poetica Pub Date : 2021-06-22 DOI:10.19130/iifl.ap.2021.2.18122

Raúl Rodríguez Freire

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引用次数: 0

摘要

法律与文学的关系有多种形式，但法律对现代小说形成的贡献却很少被提及。正如这篇文章所表明的，这是可能的，因为查士丁尼对罗马法律的编纂被薄伽丘挪用了，薄伽丘反过来又编纂了这部小说。编码使他能够在一个强大的清晰框架下收集一组不同的故事。但除此之外，正如这些页面所示，“小说”一词也来自查士丁尼，因为这就是他以《宪法》命名立法工作的方式。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Del derecho a la literatura: Boccaccio y la (re)codificación de la novela

The relationship between law and literature takes various forms, but the way in which law contributed to the formation of the modern novel is rarely mentioned. As this essay shows, this was possible because Justinian’s codification of Roman law was appropriated by Boccaccio, who, in turn, codified the novel. Coding allowed him to gather a heterogeneous set of stories under a powerful articulating framework. But in addition, as will be shown in these pages, the very term “novel” also comes from Justinian, since that is how he titled his legislative work after his Constitutions.

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来源期刊

Acta Poetica Multiple-

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： Acta Poética es una revista semestral, arbitrada y de acceso abierto (open-access), que publica artículos, notas, entrevistas y reseñas originales y traducidas, escritas principalmente en español y otras lenguas. Nuestra publicación pertenece al Centro de Poética del Instituto de Investigaciones Filológicas de la Universidad Nacional Autónoma de México. El propósito de Acta Poética es ofrecer una plataforma intelectual para los estudiosos de instituciones nacionales y extranjeras y, con ello, aportar reflexiones sustantivas al estudio de la literatura, la crítica literaria y la teoría crítica, sobre aspectos de la literatura y otras expresiones culturales. Nuestra revista está dirigida a estudiosos de la literatura y otras disciplinas relacionadas con arte, cultura y sociedad. El contenido de Acta Poética refleja la diversidad de las líneas de investigación del Centro de Poética, en el marco inter y multidisciplinario de la teoría crítica: mito, semántica, semiótica, deconstrucción, artes visuales, retórica, poética, teoría de la recepción, hermenéutica, crítica literaria, literatura comparada, estudios culturales, misticismo, filología, el impacto de las nuevas tecnologías en el discurso, historia de la literatura, cine, fotografía, arquitectura, artes escénicas, música y su relación con otras disciplinas como la filosofía, la historia, la sociología y la teoría política. Actualmente, la revista se publica en formato impreso y digital.