{"title":"耐莉和马里恩的情歌:塞琳·西亚玛的小妈妈(2021)","authors":"E. Wilson","doi":"10.1080/26438941.2023.2181926","DOIUrl":null,"url":null,"abstract":"ABSTRACT Céline Sciamma’s fifth feature film, Petite maman, premiered at the Berlin Film Festival in March 2021. Shot in autumn 2020 during the COVID-19 pandemic, it is a brief film (72 mins) and a return to the work with child actors which typified Sciamma’s first two features, Naissance des pieuvres (2007) and Tomboy (2011). After the death of her grandmother, a child, Nelly (Joséphine Sanz), helps her parents clear out her mother’s childhood home. She meets another girl of her own age in the woods, Marion (Gabrielle Sanz), who turns out to be her mother as a child. Petite maman offers space for love and care between mothers and daughters and opens out feminist perspectives on memory and grief. Drawing on representations of the mother as a child in Roland Barthes, Sophie Calle and others, as well as discussion of memory and secrecy in the work of Anne Dufourmantelle, this article explores the reimagining of love between mothers and daughters in Petite maman.","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"23 1","pages":"198 - 211"},"PeriodicalIF":0.5000,"publicationDate":"2023-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The love song of Nelly and Marion: Céline Sciamma’s Petite maman (2021)\",\"authors\":\"E. Wilson\",\"doi\":\"10.1080/26438941.2023.2181926\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Céline Sciamma’s fifth feature film, Petite maman, premiered at the Berlin Film Festival in March 2021. Shot in autumn 2020 during the COVID-19 pandemic, it is a brief film (72 mins) and a return to the work with child actors which typified Sciamma’s first two features, Naissance des pieuvres (2007) and Tomboy (2011). After the death of her grandmother, a child, Nelly (Joséphine Sanz), helps her parents clear out her mother’s childhood home. She meets another girl of her own age in the woods, Marion (Gabrielle Sanz), who turns out to be her mother as a child. Petite maman offers space for love and care between mothers and daughters and opens out feminist perspectives on memory and grief. Drawing on representations of the mother as a child in Roland Barthes, Sophie Calle and others, as well as discussion of memory and secrecy in the work of Anne Dufourmantelle, this article explores the reimagining of love between mothers and daughters in Petite maman.\",\"PeriodicalId\":40074,\"journal\":{\"name\":\"French Screen Studies\",\"volume\":\"23 1\",\"pages\":\"198 - 211\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-03-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"French Screen Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/26438941.2023.2181926\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Screen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/26438941.2023.2181926","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 1
摘要
摘要Céline Sciamma的第五部故事片《小曼曼》于2021年3月在柏林电影节首映。这部电影拍摄于2020年秋季新冠肺炎大流行期间,是一部短片(72分钟),也是对儿童演员作品的回归,这是Sciamma前两部电影的典型代表,《Naissance des pieuvres》(2007年)和《Tomboy》(2011年)。祖母去世后,孩子Nelly(Joséphine Sanz饰)帮助父母清理母亲儿时的家。她在树林里遇到了另一个同龄的女孩,Marion(加布里埃尔·桑兹饰),她小时候就是她的母亲。Petite maman为母亲和女儿之间的爱和关怀提供了空间,并打开了女权主义对记忆和悲伤的视角。本文借鉴罗兰·巴特(Roland Barthes)、索菲·卡勒(Sophie Calle)等人对母亲作为孩子的描述,以及安妮·杜福曼特尔(Anne Dufourmantelle)作品中对记忆和秘密的讨论,探讨了《小曼曼》中对母女之间爱的重新想象。
The love song of Nelly and Marion: Céline Sciamma’s Petite maman (2021)
ABSTRACT Céline Sciamma’s fifth feature film, Petite maman, premiered at the Berlin Film Festival in March 2021. Shot in autumn 2020 during the COVID-19 pandemic, it is a brief film (72 mins) and a return to the work with child actors which typified Sciamma’s first two features, Naissance des pieuvres (2007) and Tomboy (2011). After the death of her grandmother, a child, Nelly (Joséphine Sanz), helps her parents clear out her mother’s childhood home. She meets another girl of her own age in the woods, Marion (Gabrielle Sanz), who turns out to be her mother as a child. Petite maman offers space for love and care between mothers and daughters and opens out feminist perspectives on memory and grief. Drawing on representations of the mother as a child in Roland Barthes, Sophie Calle and others, as well as discussion of memory and secrecy in the work of Anne Dufourmantelle, this article explores the reimagining of love between mothers and daughters in Petite maman.