自闭症创作的青少年小说的跨文本标签为#自己的声音:青少年文学文化如何为神经分化的作者创造空间

Jason Michael Abad
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引用次数: 0

摘要

本文通过分析自闭症作者如何使用文本文本为一些读者规定理解自闭症作者文本的方式,同时暂时避免为其他人规定特定的方法,从而考虑#OwnVoices对自闭症文学表现的影响,允许具有相反意识形态的读者在遇到文本的更多说教元素之前先阅读叙事。本文以杰拉德·吉内特的意文理论为基础,比较了科琳·杜维丝的《消失的边缘》和珍·王尔德的《极客女王》这两部自闭症作家小说与马克·哈登的《深夜狗的离奇事件》(一部韵文作家的青少年小说)对文本和意文的使用。这两种文本之间的对比揭示了#ownvoices文本如何突出作者的立场,从而使有关自闭症患者伦理表现的讨论成为可能,而不是被排除在外。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Paratextual Labeling of Autistic-Authored YA Fiction as #OwnVoices: How YA Literary Culture Creates Space for Neurodivergent Authorship
This essay considers the effect of #OwnVoices on autistic literary representation by analyzing how autistic authors use paratexts to prescribe for some readers ways of understanding autistic-authored texts while temporarily refraining from prescribing a particular method for others, allowing readers with opposing ideologies to first read the narrative before they encounter the more didactic elements of the text. Building on Gerrard Genette's theorization of the paratext, this essay compares the use of text and paratext in two works of autistic-authored fiction, Corinne Duyvis's  On the Edge of Gone  and Jen Wilde's  Queens of Geek , to that of Mark Haddon's  The Curious Incident of the Dog in the Night-Time , a work of allistic-authored YA fiction. The contrast between these two kinds of texts reveals how #ownvoices texts foreground the positionality of the author in ways that enable rather than foreclose discussions about the ethical representation of autistic people.
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