{"title":"重新制作亚洲电影:亚洲间的翻拍和亚洲综合电影","authors":"Olivia Khoo","doi":"10.3366/edinburgh/9781474461764.003.0003","DOIUrl":null,"url":null,"abstract":"This chapter explores remakes and omnibus films as specific forms of inter-Asian production. Although consideration has been paid to remakes of Asian cinema from Hollywood, there has been less attention paid to remakes from within Asia as a form of inter-Asian referencing. The chapter examines CJ Entertainment’s practice of regional localisation of its hit comedy Miss Granny (2014). The chapter also considers the resurgence of the omnibus film as a production practice targeted towards regional audiences.","PeriodicalId":41198,"journal":{"name":"Asian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2021-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films\",\"authors\":\"Olivia Khoo\",\"doi\":\"10.3366/edinburgh/9781474461764.003.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter explores remakes and omnibus films as specific forms of inter-Asian production. Although consideration has been paid to remakes of Asian cinema from Hollywood, there has been less attention paid to remakes from within Asia as a form of inter-Asian referencing. The chapter examines CJ Entertainment’s practice of regional localisation of its hit comedy Miss Granny (2014). The chapter also considers the resurgence of the omnibus film as a production practice targeted towards regional audiences.\",\"PeriodicalId\":41198,\"journal\":{\"name\":\"Asian Cinema\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-02-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Asian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474461764.003.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474461764.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films
This chapter explores remakes and omnibus films as specific forms of inter-Asian production. Although consideration has been paid to remakes of Asian cinema from Hollywood, there has been less attention paid to remakes from within Asia as a form of inter-Asian referencing. The chapter examines CJ Entertainment’s practice of regional localisation of its hit comedy Miss Granny (2014). The chapter also considers the resurgence of the omnibus film as a production practice targeted towards regional audiences.