从内部做出改变:政治适应作为行动主义

IF 0.2 3区 艺术学 0 THEATER
Paula Danckert
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引用次数: 0

摘要

摘要:凯琳•赖特的《加拿大戏剧中的政治改编》是对戏剧改编话语的一次极好补充。赖特运用改编、认同、表演、土著戏剧和言语行为等理论,将政治改编定义为不同于改编的“适当”。她认为,政治适应激活了公众,或者用她的话说,是“争议性的”,从而改变了对继承叙事的看法。米歇尔·佩切(Michel Pêcheux)的三方术语是她论点的核心,该术语将观众与主流文化的关系描述为认同、反认同和不认同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Making Change from Within: Political Adaptation as Activism
ABSTRACT:Political Adaptation in Canadian Theatre, by Kailin Wright, is an excellent addition to the discourse on theatre adaptations. Wright applies theories of adaptation, identification, performance, Indigenous dramaturgy, and speech acts to define political adaptation as distinct from adaptation “proper”. She contends that political adaptations activate publics or, in her terms, “dispublics,” toward changed perspectives on inherited narratives. Seminal to her argument is Michel Pêcheux’s tripartite terminology, which describes the relationship of the spectator to mainstream culture as identification, counteridentification, and disidentification.
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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