亚齐客家变调的韵律域发现

J. Lee, Wang Ling
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引用次数: 0

摘要

本研究调查了印尼亚齐省客家方言的声调系统。这项研究的目的是双重的。首先,重新梳理了梅县客家话的声调清单,并与陈(2007)研究中发现的梅县客家语声调清单进行了比较。其次,分析了方言的商调三叠规则及其韵律域。这些数据是根据音节数量、不同的韵律结构和各种音调组合精心设计收集的。这些数据是从两名举报人那里收集的,她们是来自印度尼西亚班达亚齐的女性客家人。这项研究主要使用了印象派的方法,并得到了Praat版本6.2.14的一些支持,以评估音调的音高。至于研究的转录,研究人员选择了更简单但在语音上不同的三级高度系统(H、M、L),而不是赵的五个音高类别。研究表明,该方言有六个声调值。音调交替规则,即STSR,在多音节域中运行,并且只有域末尾的音调从音调交替中是完整的。STSR对直接指称假说的句法域c命令关系不敏感。它的表现也与广兴方言阳平调三叠规则不同。在韵律方面,亚齐客家语规则的层次域是以语篇(U)为界的,这与梅农客家语的阴平变调域不同,后者的变调被I域(入语短语域)所阻挡。因此,研究者推测亚齐客家商调变调的范畴在语篇(U)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Discovering the Prosodic Domain of Aceh Hakka Tone Sandhi
The research investigated the tonal system of the Hakka dialect spoken in the Aceh province of Indonesia. The aim of the research was twofold. First, it retranscribed the dialect’s tonal inventory and provided a comparison with Meixian Hakka and the inventory found in Chen’s (2007) research. Second, it analyzed the Shang Tone Sandhi Rule (STSR) of the dialect and its prosodic domain. The data were collected with a careful design based on the number of syllables, different prosodic structures, and a variety of tonal combinations. The data were collected from two informants, who were female Hakka native speakers that originated from Banda Aceh, Indonesia. The research used mainly an impressionistic approach with some support from Praat Version 6.2.14 to evaluate the pitch of the tones. As for the research’s transcription, the researchers opt for the simpler yet phonologically distinct three-level height system (H, M, L) rather than the five-pitch category of Chao. The research identifies that there are six tonal values in this dialect. The tonal alternation rule, i.e., STSR, operates in a multisyllabic domain, and only the tone at the end of a domain is intact from tonal alternation. The STSR is not sensitive to the syntactic domain c-command relation of the Direct Reference Hypothesis. It also behaves differently compared to the Guangxing dialect Yangping Tone Sandhi Rule. As for prosody, the hierarchical domain of the rule in Aceh Hakka is bounded within the Utterance (U), which is different from the Yinping tone sandhi domain in Meinong Hakka, in which tone sandhi is blocked by the I domain (intonational phrase domain). Therefore, the researchers postulate that the domain for Aceh Hakka Shang tone sandhi lies in the Utterance (U).
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