狂喜和项目。世界末日笔记

IF 0.2 N/A LITERARY THEORY & CRITICISM

Acta Poetica Pub Date : 2020-06-18 DOI:10.19130/iifl.ap.2020.41.2.0002

Bruno Grossi

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引用次数: 0

摘要

面对想象未来的不可能，人类在灾难的图像中投射出每个时期生活的原因、意识形态、恐惧和乌托邦。这就是为什么在许多作者看来，改变世界的历史无能变成了奇怪的字面意思:不可能或不愿生育。这一规定不仅关系到物种的生存，而且它本身就包含着对欲望的系统性强迫的反抗。这项工作旨在遵循这些图像(存在于哲学，文学和电影文本中)，以解开国家的理性计划和个人自我溶解的狂喜之间的二分法。

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El extasis y el proyecto. Notas sobre el fin del mundo

Faced with the impossibility of imagining the future, humanity projects in the images of the disaster the reasons, ideologies, fears and utopias that lives at in each period. That’s why the historical impotence to transform the world has become, in many authors, strangely literal: impossibility or reluctance to breed. This provision not only concerns the survival of the species, but it carries within itself the rebellion against the systematic coercion of desire. This work aims to follow these images (present in philosophical, literary and cinematographic texts) in order to unravel the dichotomy between the rational project of the State and the individual ecstasy self-dissolving.

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来源期刊

Acta Poetica Multiple-

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： Acta Poética es una revista semestral, arbitrada y de acceso abierto (open-access), que publica artículos, notas, entrevistas y reseñas originales y traducidas, escritas principalmente en español y otras lenguas. Nuestra publicación pertenece al Centro de Poética del Instituto de Investigaciones Filológicas de la Universidad Nacional Autónoma de México. El propósito de Acta Poética es ofrecer una plataforma intelectual para los estudiosos de instituciones nacionales y extranjeras y, con ello, aportar reflexiones sustantivas al estudio de la literatura, la crítica literaria y la teoría crítica, sobre aspectos de la literatura y otras expresiones culturales. Nuestra revista está dirigida a estudiosos de la literatura y otras disciplinas relacionadas con arte, cultura y sociedad. El contenido de Acta Poética refleja la diversidad de las líneas de investigación del Centro de Poética, en el marco inter y multidisciplinario de la teoría crítica: mito, semántica, semiótica, deconstrucción, artes visuales, retórica, poética, teoría de la recepción, hermenéutica, crítica literaria, literatura comparada, estudios culturales, misticismo, filología, el impacto de las nuevas tecnologías en el discurso, historia de la literatura, cine, fotografía, arquitectura, artes escénicas, música y su relación con otras disciplinas como la filosofía, la historia, la sociología y la teoría política. Actualmente, la revista se publica en formato impreso y digital.