{"title":"有烟无火","authors":"Richard M. Cooler","doi":"10.1353/jbs.2019.0005","DOIUrl":null,"url":null,"abstract":"A posting on Facebook provides an unexpected addition to the publication of “A Buddha Image for Exorcism,” The Journal of Burma Studies 20, no. 2 (2016): 335–372. The journal article established the identity and manner in which a noncanonical Buddha image was most likely created and used by Buddhist wizards (weikza). These conclusions are now corroborated and expanded by photographs, a video clip, and a note posted by Hla Than Aung (www.facebook.com/ aung.hlathan/posts/1754717078153948; Posted: 9 September 2017; Accessed: 18 February 2019). The image on Facebook, reportedly used especially for exorcism, is clearly akin to that in the Burma Art Collection, Northern Illinois University (NIU), although it is more recently and crudely cast in a silver-colored metal rather than bronze. The iconography and dress are alike: the standing image holds a myrobalan fruit in each hand, the left hand extended forward; the right, not left, shoulder is covered by the robe (the sanghati robe is not indicated); there are four (instead of nine) sa, da, ba, wa “in” or cabalistic squares on the chest and back and on both palms; bits along the inner margin of the middle finger on the right hand are missing (deliberately removed?); the hair of both figures resembles a cap, and on the internet image there may be an addition to the original; a wide belt girds the figure and there is a “relic” or “philosopher stone” pellet inside. Hla Than Aung notes:","PeriodicalId":53638,"journal":{"name":"Journal of Burma Studies","volume":"23 1","pages":"143 - 146"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/jbs.2019.0005","citationCount":"0","resultStr":"{\"title\":\"Smoke, No Fire\",\"authors\":\"Richard M. Cooler\",\"doi\":\"10.1353/jbs.2019.0005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A posting on Facebook provides an unexpected addition to the publication of “A Buddha Image for Exorcism,” The Journal of Burma Studies 20, no. 2 (2016): 335–372. The journal article established the identity and manner in which a noncanonical Buddha image was most likely created and used by Buddhist wizards (weikza). These conclusions are now corroborated and expanded by photographs, a video clip, and a note posted by Hla Than Aung (www.facebook.com/ aung.hlathan/posts/1754717078153948; Posted: 9 September 2017; Accessed: 18 February 2019). The image on Facebook, reportedly used especially for exorcism, is clearly akin to that in the Burma Art Collection, Northern Illinois University (NIU), although it is more recently and crudely cast in a silver-colored metal rather than bronze. The iconography and dress are alike: the standing image holds a myrobalan fruit in each hand, the left hand extended forward; the right, not left, shoulder is covered by the robe (the sanghati robe is not indicated); there are four (instead of nine) sa, da, ba, wa “in” or cabalistic squares on the chest and back and on both palms; bits along the inner margin of the middle finger on the right hand are missing (deliberately removed?); the hair of both figures resembles a cap, and on the internet image there may be an addition to the original; a wide belt girds the figure and there is a “relic” or “philosopher stone” pellet inside. Hla Than Aung notes:\",\"PeriodicalId\":53638,\"journal\":{\"name\":\"Journal of Burma Studies\",\"volume\":\"23 1\",\"pages\":\"143 - 146\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-10-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/jbs.2019.0005\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Burma Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/jbs.2019.0005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Burma Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jbs.2019.0005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
Facebook上的一条帖子为《缅甸研究杂志》第20期第2期(2016):335–372期的“驱魔佛像”出版物提供了一个意想不到的补充。这篇期刊文章确定了佛教巫师(weikza)最有可能创造和使用非经典佛像的身份和方式。这些结论现在通过照片、视频剪辑和Hla Than Aung发布的笔记得到了证实和扩展(www.facebook.com/Aung.hlatan/posts/1754717078153948;发布时间:2017年9月9日;访问时间:2019年2月18日)。据报道,脸书上的这张图片是专门用于驱魔的,显然与北伊利诺伊大学缅甸艺术收藏馆的图片相似,尽管它是最近用银色金属而不是青铜铸造的。肖像画和服装都很相似:站立的图像每只手拿着一个月桂果,左手向前伸出;右边,而不是左边,肩膀被长袍覆盖(桑提长袍没有显示);胸部、背部和双手手掌上有四个(而不是九个)sa、da、ba、wa“in”或cabalistic方块;右手中指内缘的碎屑缺失(故意去除?);这两个人物的头发都像一顶帽子,在互联网上的图片可能是在原来的基础上添加的;一条宽腰带将雕像围起来,里面有一块“遗迹”或“哲人石”。Hla Than Aung指出:
A posting on Facebook provides an unexpected addition to the publication of “A Buddha Image for Exorcism,” The Journal of Burma Studies 20, no. 2 (2016): 335–372. The journal article established the identity and manner in which a noncanonical Buddha image was most likely created and used by Buddhist wizards (weikza). These conclusions are now corroborated and expanded by photographs, a video clip, and a note posted by Hla Than Aung (www.facebook.com/ aung.hlathan/posts/1754717078153948; Posted: 9 September 2017; Accessed: 18 February 2019). The image on Facebook, reportedly used especially for exorcism, is clearly akin to that in the Burma Art Collection, Northern Illinois University (NIU), although it is more recently and crudely cast in a silver-colored metal rather than bronze. The iconography and dress are alike: the standing image holds a myrobalan fruit in each hand, the left hand extended forward; the right, not left, shoulder is covered by the robe (the sanghati robe is not indicated); there are four (instead of nine) sa, da, ba, wa “in” or cabalistic squares on the chest and back and on both palms; bits along the inner margin of the middle finger on the right hand are missing (deliberately removed?); the hair of both figures resembles a cap, and on the internet image there may be an addition to the original; a wide belt girds the figure and there is a “relic” or “philosopher stone” pellet inside. Hla Than Aung notes: