{"title":"设计披露:泄露产生了什么","authors":"Mihir Pandya","doi":"10.1215/08992363-9584722","DOIUrl":null,"url":null,"abstract":"\n This essay revisits the saga of Cold War era stealth development programs—classified but curiously public efforts to build airplanes that eluded radar detection—to explore how leaks work and the work leaks do when designing complex technical systems. Stealth programs are aging examples of an increasingly visible phenomenon: disclosures about large, closely guarded design, manufacturing, and administrative efforts before their official unveiling. Rather than simply policing the boundary between the secret and the public, in “big” design, in collective efforts to produce knowledge and things at scale, the article argues that leaks have a more subtle purpose: they help govern the uncertain terrain between knowing and knowing enough.","PeriodicalId":47901,"journal":{"name":"Public Culture","volume":" ","pages":""},"PeriodicalIF":1.1000,"publicationDate":"2022-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Disclosure by Design: What Leaks Produce\",\"authors\":\"Mihir Pandya\",\"doi\":\"10.1215/08992363-9584722\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This essay revisits the saga of Cold War era stealth development programs—classified but curiously public efforts to build airplanes that eluded radar detection—to explore how leaks work and the work leaks do when designing complex technical systems. Stealth programs are aging examples of an increasingly visible phenomenon: disclosures about large, closely guarded design, manufacturing, and administrative efforts before their official unveiling. Rather than simply policing the boundary between the secret and the public, in “big” design, in collective efforts to produce knowledge and things at scale, the article argues that leaks have a more subtle purpose: they help govern the uncertain terrain between knowing and knowing enough.\",\"PeriodicalId\":47901,\"journal\":{\"name\":\"Public Culture\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2022-04-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Public Culture\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1215/08992363-9584722\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Public Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/08992363-9584722","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
This essay revisits the saga of Cold War era stealth development programs—classified but curiously public efforts to build airplanes that eluded radar detection—to explore how leaks work and the work leaks do when designing complex technical systems. Stealth programs are aging examples of an increasingly visible phenomenon: disclosures about large, closely guarded design, manufacturing, and administrative efforts before their official unveiling. Rather than simply policing the boundary between the secret and the public, in “big” design, in collective efforts to produce knowledge and things at scale, the article argues that leaks have a more subtle purpose: they help govern the uncertain terrain between knowing and knowing enough.
期刊介绍:
Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.