{"title":"中国投资与“非洲制造”时装生产的兴起","authors":"Liang Xu","doi":"10.1080/1362704X.2021.1979788","DOIUrl":null,"url":null,"abstract":"Abstract This article examines the rise of Chinese fashion manufacturing across Africa. By tracing the history of Chinese involvement in Africa's fashion production and reviewing a case study of Chinese garment firms in Newcastle, South Africa, this article attempts to understand the implications of Chinese-funded fashion production in Africa. I argue that the move of fashion production from China to Africa represents a new phase in the migration of global fashion production, and offers an opportunity for examining the gendered dynamics of fashion production in Africa.","PeriodicalId":51687,"journal":{"name":"Fashion Theory-The Journal of Dress Body & Culture","volume":"25 1","pages":"975 - 982"},"PeriodicalIF":0.7000,"publicationDate":"2021-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Chinese Investment and the Rise of “Made in Africa” Fashion Production\",\"authors\":\"Liang Xu\",\"doi\":\"10.1080/1362704X.2021.1979788\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article examines the rise of Chinese fashion manufacturing across Africa. By tracing the history of Chinese involvement in Africa's fashion production and reviewing a case study of Chinese garment firms in Newcastle, South Africa, this article attempts to understand the implications of Chinese-funded fashion production in Africa. I argue that the move of fashion production from China to Africa represents a new phase in the migration of global fashion production, and offers an opportunity for examining the gendered dynamics of fashion production in Africa.\",\"PeriodicalId\":51687,\"journal\":{\"name\":\"Fashion Theory-The Journal of Dress Body & Culture\",\"volume\":\"25 1\",\"pages\":\"975 - 982\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2021-10-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Fashion Theory-The Journal of Dress Body & Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/1362704X.2021.1979788\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fashion Theory-The Journal of Dress Body & Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1362704X.2021.1979788","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Chinese Investment and the Rise of “Made in Africa” Fashion Production
Abstract This article examines the rise of Chinese fashion manufacturing across Africa. By tracing the history of Chinese involvement in Africa's fashion production and reviewing a case study of Chinese garment firms in Newcastle, South Africa, this article attempts to understand the implications of Chinese-funded fashion production in Africa. I argue that the move of fashion production from China to Africa represents a new phase in the migration of global fashion production, and offers an opportunity for examining the gendered dynamics of fashion production in Africa.
期刊介绍:
The importance of studying the body as a site for the deployment of discourses is well-established in a number of disciplines. By contrast, the study of fashion has, until recently, suffered from a lack of critical analysis. Increasingly, however, scholars have recognized the cultural significance of self-fashioning, including not only clothing but also such body alterations as tattooing and piercing. Fashion Theory takes as its starting point a definition of “fashion” as the cultural construction of the embodied identity. It provides an interdisciplinary forum for the rigorous analysis of cultural phenomena ranging from footbinding to fashion advertising.