叙事在互动纪录片中的作用

IF 0.5 0 FILM, RADIO, TELEVISION

Studies in Documentary Film Pub Date : 2020-09-17 DOI:10.1080/17503280.2020.1815124

J. Reeder

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引用次数: 2

摘要

互动纪录片理论为了强调传统纪录片与互动纪录片的对比，过度简化了叙事的概念。在这样做的过程中，有一种风险是把互动纪录片想象成一种不可渗透和不可理解的人工制品，抵抗解释学的检验。本文将表明，通过将叙事连贯问题作为一个现象学命题来处理，可以发展出一种叙事理论，这种叙事理论能够解释传统纪录片所不具备的互动纪录片特征。为了重新想象叙事在互动纪录片中的作用，保罗·里科尔的哲学方法将被改编和扩展。Ricoeur将现象学与解释学相结合，鼓励了一种细致入微、哲学严谨的叙事方法，这有助于我们拓展叙事在互动纪录片中的作用。

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The function of narrative in interactive documentary

ABSTRACT Interactive documentary theory has oversimplified concepts of narrative in order to accentuate the contrast between traditional documentary and interactive documentary. In doing so, there is a risk of imagining the interactive documentary as an impermeable and incomprehensible artefact, resistant to hermeneutic examination. This paper will show that by approaching the question of narrative coherence as a phenomenological proposition, a theory of narrative can be developed which is able to account for interactive documentary traits which are not shared with traditional documentaries. In order to reimagine the role of narrative in interactive documentary, the philosophical approach of Paul Ricoeur will be adapted and extended. Ricoeur’s combination of phenomenology and hermeneutics encourages a nuanced and philosophically rigorous approach to narrative, which helps us expand on the role of narrative in interactive documentary.

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来源期刊

Studies in Documentary Film FILM, RADIO, TELEVISION-

CiteScore

1.00

自引率

16.70%

发文量

期刊介绍： Studies in Documentary Film is the first refereed scholarly journal devoted to the history, theory, criticism and practice of documentary film. In recent years we have witnessed an increased visibility for documentary film through conferences, the success of general theatrical releases and the re-emergence of scholarship in documentary film studies. Studies in Documentary Film is a peer-reviewed journal.