结合XRF、多光谱成像和SEM/EDS来表征当代绘画

IF 1.3 Q3 INSTRUMENTS & INSTRUMENTATION
J. Brocchieri, E. Scialla, Antonio D'Onofrio, C. Sabbarese
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引用次数: 2

摘要

利用X射线荧光(XRF)、多光谱成像和扫描电子显微镜/能谱仪(SEM/EDS)对一幅当代油画进行了诊断分析。每种方法的结果都提供了补充信息,以加深对绘画技术的认识。多光谱成像提供了对最顶层的深入了解。XRF分析可以表征艺术家使用的一些材料和颜料的化学成分。SEM/EDS技术提供了其他信息,如与帆布制备有关的信息。结果表明:(i)预处理工业帆布的使用;(ii)预备层由覆盖有钛白、锌和立德粉底漆的灰泥组成;(iii)插入一层镉黄色的地面,赋予画作深度和立体感;(iv)缺乏基础设计;(v) 特征颜料都是当代的,并且(vi)固定剂喷雾覆盖涂料。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Combining XRF, Multispectral Imaging and SEM/EDS to Characterize a Contemporary Painting
Diagnostic analyses on a contemporary painting on canvas were performed with X-ray fluorescence (XRF), multispectral imaging and scanning electron microscope/energy dispersive spectroscopy (SEM/EDS). The results of each method provided complementary information to deepen the knowledge of the pictorial technique. Multispectral imaging provided insight into the topmost layers. XRF analysis made it possible to characterize the chemical composition of some materials and pigments used by the artist. Additional information such as that relating to canvas preparation emerged with the SEM/EDS technique. The results reveal (i) the use of pre-treated industrial canvas; (ii) the preparatory layer consists of plaster covered with a primer with titanium white, zinc and lithopone; (iii) a layer of cadmium yellow ground was inserted to give depth and three-dimensionality to the painting; (iv) the absence of underlying design; (v) the characterized pigments are all contemporary and (vi) a fixative spray covers the paint.
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来源期刊
CiteScore
2.80
自引率
28.60%
发文量
27
审稿时长
11 weeks
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