奥《河流》中的偷窥与忽视

IF 0.1 4区 文学 0 LITERATURE
CEA CRITIC Pub Date : 2021-12-31 DOI:10.1353/cea.2021.0024
José Manuel Correoso-Rodenas
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引用次数: 0

摘要

摘要:在《大江大河》中,读者会遇到偷窥狂和疏忽大意的角色。这两个概念(或品质)通常与人类文化的社会学表现有关,而不是与文学有关。在过去的几十年里,偷窥癖在电视和电影研究中得到了很大程度的探索,这些研究将观众置于一个只面对——但不干预——场景的证人的角色中。在《大河》中,奥笔下的偷窥狂角色并不是无辜的目击者;相反,他们的出现被认为是触发了这一行动的可怕结果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Voyeurism and Negligence in Flannery O'Connor's "The River"
Abstract:Throughout "The River," the reader encounters characters who are voyeuristic and others who are negligent. These two concepts (or qualities) are usually discussed in relation to sociological manifestations of human culture rather than literature. During the last decades, voyeurism has been largely explored in studies about television and film, which place the spectator in the role of a witness who only confronts—but does not intervene in—a scene. With "The River," O'Connor's voyeuristic characters are not innocent witnesses; rather, their presence is featured as triggering the macabre results of the action.
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来源期刊
CEA CRITIC
CEA CRITIC LITERATURE-
CiteScore
0.20
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