“这就是我告诉他们种姓的方式”:达利特单口喜剧作为反抗的表演

Q1 Arts and Humanities
Dhiraj B. Ambade
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引用次数: 0

摘要

摘要本文将达利特单口喜剧视为对印度种姓制度的创造性反抗,重点关注达利特单嘴喜剧的出现。通过对曼普里特·萨卡、桑贾伊·拉古拉和内哈·通布雷等艺术家的达利特单口相声表演的个案研究,本文分析了达利特单嘴喜剧作为一种表演艺术是如何为种姓、霸权和上层种姓精英主义提供强有力的少数群体视角的。它追溯了达利特单口喜剧的演变,指出了它与主流精英单口喜剧之间的异同。这篇论文强调了达利特单口喜剧对幽默的激进重新想象,将其作为社会文化转型的武器。它强调了贱民边缘化在印度仍然存在,即使在单口相声等文化领域也是如此。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘It’s the Way I Tell them about Caste’: Dalit stand-up comedy as the performance of resistance
Abstract This paper examines Dalit stand-up comedy as a creative resistance to caste in India, focusing on the emergence of Dalit stand-up comedy. Through the case study of select Dalit stand-up acts of artists like Manpreet Sarkar, Sanjay Rajoura, and Neha Thombre, this paper analyses how Dalit stand-up comedy as a performing art offers a potent minority perspective on caste, hegemony, and upper-caste elitism. It traces the evolution of Dalit stand-up comedy, pointing out its similarity and differences with the elite mainstream stand-up comedy. The paper foregrounds the radical reimagining of humour wielded as a weapon by Dalit stand-up comedy for sociocultural transformation. It highlights how Dalit marginalisation still exists in India, even in cultural spheres such as stand-up comedy.
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来源期刊
Comedy Studies
Comedy Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.60
自引率
0.00%
发文量
26
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