生态女性主义视角下的多萝西娅·罗莎·赫连尼的《河婚与刀婚》诗歌

Iswadi Bahardur, Putri Dian Afrinda, Rina Sartika
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引用次数: 0

摘要

这项研究的动机是多萝西娅·罗莎·赫连尼在两首名为《尼卡·桑盖》和《尼卡·皮索》的诗中诗意地反映的女性与自然的关系与男性力量的问题。基于这个问题,本研究旨在描述(a)男性父权恋尸癖对女性的力量;以及(b)妇女努力摆脱男子恋尸癖的态度。所使用的研究方法是定性的,采用描述性内容分析技术。研究结果显示了两件事。首先,诗歌“Nikah Sungai”和“Nikah Pisau”反映了男性利用恋尸癖的力量,通过操纵植物、岩石、沙子、动物尸体、土壤和毒药等各种自然资源作为武器,破坏女性的自然生殖能力。第二,多萝西娅在她的两首诗中所反映的女性对男性恋尸癖力量的反抗态度,表现为刺伤心脏、撕裂男性生殖器等身体暴力行为。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Puisi Nikah Sungai dan Nikah Pisau karya Dorothea Rosa Herliany dalam perspektif ekofeminis Mary Daly
This research is motivated by the problem of the relationship between women and nature with male power which is reflected poetically by Dorothea Rosa Herliany in two poems entitled "Nikah Sungai" and "Nikah Pisau". Based on that problem, this study aims to describe (a) the power of male patriarchal necrophilia over women; and (b) the attitude of women as an effort to free themselves from the necrophiliac power of men. The research method used is qualitative with descriptive content analysis techniques. The research findings show two things. First, the poems "Nikah Sungai" dan "Nikah Pisau" reflect men's efforts to destroy women's natural reproductive abilities using the power of necrophilia through manipulating various natural resources such as plants, rocks, sand, animal carcasses, soil, and poison as weapons. Second, the attitude of women's resistance to the power of male necrophilia which is reflected by Dorothea in her two poems is manifested in acts of physical violence such as stabbing the heart and tearing the male genitalia.
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