{"title":"日本梦:黑川岸建的梵高博物馆附属建筑及其后来的重新挪用","authors":"Jens Sejrup","doi":"10.1080/19369816.2018.1427344","DOIUrl":null,"url":null,"abstract":"ABSTRACT This paper traces the history of a Japanese-funded annex to the Van Gogh Museum in Amsterdam over the past twenty-five years. The analysis focuses on three key years in the building’s history: 1991, 1999, and 2015. Critically examining public debate and media coverage of the building in contemporary Dutch- and Japanese-language sources, I argue that changing claims and public perceptions of Japan reflected the country’s shifting economic fortunes and international position during the period. The sources consistently framed the Japanese-designed building within a language of dreams. However, the dreams gradually transformed from desires and nostalgic projections to sleepiness and inactivity. Japan, and the annex as its symbolic embodiment, remained a ‘place of dreams’, but the nature of those ‘dreams’ changed dramatically over the period studied.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2018-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19369816.2018.1427344","citationCount":"3","resultStr":"{\"title\":\"Japanese dreams: Kurokawa Kishō’s annex to the Van Gogh Museum and its later re-appropriation\",\"authors\":\"Jens Sejrup\",\"doi\":\"10.1080/19369816.2018.1427344\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This paper traces the history of a Japanese-funded annex to the Van Gogh Museum in Amsterdam over the past twenty-five years. The analysis focuses on three key years in the building’s history: 1991, 1999, and 2015. Critically examining public debate and media coverage of the building in contemporary Dutch- and Japanese-language sources, I argue that changing claims and public perceptions of Japan reflected the country’s shifting economic fortunes and international position during the period. The sources consistently framed the Japanese-designed building within a language of dreams. However, the dreams gradually transformed from desires and nostalgic projections to sleepiness and inactivity. Japan, and the annex as its symbolic embodiment, remained a ‘place of dreams’, but the nature of those ‘dreams’ changed dramatically over the period studied.\",\"PeriodicalId\":52057,\"journal\":{\"name\":\"Museum History Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2018-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/19369816.2018.1427344\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Museum History Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/19369816.2018.1427344\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum History Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/19369816.2018.1427344","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY","Score":null,"Total":0}
Japanese dreams: Kurokawa Kishō’s annex to the Van Gogh Museum and its later re-appropriation
ABSTRACT This paper traces the history of a Japanese-funded annex to the Van Gogh Museum in Amsterdam over the past twenty-five years. The analysis focuses on three key years in the building’s history: 1991, 1999, and 2015. Critically examining public debate and media coverage of the building in contemporary Dutch- and Japanese-language sources, I argue that changing claims and public perceptions of Japan reflected the country’s shifting economic fortunes and international position during the period. The sources consistently framed the Japanese-designed building within a language of dreams. However, the dreams gradually transformed from desires and nostalgic projections to sleepiness and inactivity. Japan, and the annex as its symbolic embodiment, remained a ‘place of dreams’, but the nature of those ‘dreams’ changed dramatically over the period studied.