南非的徒步者纪念碑和1820年移民国家纪念碑:文化暴力纪念碑

IF 2.6 Q1 POLITICAL SCIENCE
Rebecca Weaver-Hightower, Marcus B. Weaver-Hightower
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引用次数: 1

摘要

摘要本文比较了南非的两个纪念碑空间,比勒陀利亚著名的沃特雷克纪念碑和马坎达(原Grahamstown)鲜为人知的1820年定居者国家纪念碑。虽然最终这两座纪念碑都是通过对欧洲定居者群体的崇敬来实施文化暴力的,但它们的做法截然不同,这可能会在最终减轻其文化暴力方面产生影响。虽然Voortrekker纪念碑以大理石雕刻的形式明确讲述了南非白人至上主义,但1820年的定居者国家纪念碑具有更抽象的象征意义,其领导人长期以来一直表示愿意改变和使用纪念碑,以打断(至少在一定程度上)对定居者文化的奉承。然而,对这些遗址的比较表明,1820年定居者纪念碑的矛盾心理可能不足以消除这些纪念碑造成的文化暴力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
South Africa’s Voortrekker Monument and 1820 Settlers National Monument: Monuments to Cultural Violence
ABSTRACT This article compares two South African monument spaces, the well-known Voortrekker Monument in Pretoria and the lesser-known 1820 Settlers National Monument in Makandha (formerly Grahamstown). While ultimately both monuments enact cultural violence through the veneration of European settler groups, they do so in contrasting ways, which may make a difference in ultimately mitigating their cultural violence. While the Voortrekker Monument presents an explicit narrative of Afrikaner supremacy literally carved in marble, the 1820 Settlers National Monument features more abstract symbolism and its leaders have long shown willingness to alter and use the monument in ways that interrupt (at least somewhat) the adulation of settler culture. Comparison of the sites, though, show that the ambivalence of the 1820 Settlers Monument may not be enough to remove the cultural violence done by such monuments.
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来源期刊
Journal of Genocide Research
Journal of Genocide Research POLITICAL SCIENCE-
CiteScore
3.30
自引率
6.70%
发文量
27
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