现代艺术中的抽象与具体

IF 0.2 2区艺术学 0 ART

ARTMargins Pub Date : 2023-02-01 DOI:10.1162/artm_a_00343

Tomás Maldonado

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引用次数: 0

摘要

摘要本介绍性研究分析了短命的阿根廷集体——混凝土艺术发明协会（简称AACI）的两个关键文本。他们于1946年发表在该组织官方机关报的同一期上，共同将“共面”理论化，这是AACI对抽象和具象绘画史的关键贡献。虽然马尔多纳多的文本提供了对共平面谱系的历史重建，作为现代主义对平面和构图问题研究的高潮，但赫利托的文本概述了对马克思主义唯物主义和辩证法的理解，这些理解支撑了这一对现代主义任务的特殊理解。

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The Abstract and the Concrete in Modern Art

Abstract This introductory study analyzes two key texts from the short-lived Argentine collective, the Asociación Arte Concreto-Invención (Association of Concrete Art-Invention, or AACI). Published in 1946 in the same issue of the group's official organ, they collectively theorize the “co-planar,” the AACI's key contribution to the history of abstract and concrete painting. While Maldonado's text offers a historical reconstruction of the genealogy of the co-planar as the culmination of modernist investigations of the plane and the problem of composition, Hlito's text outlines the understanding of Marxist materialism and dialectics that underpinned this particular take on the task of modernism.

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来源期刊

ARTMargins ART-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.