将以文化为中心的方法应用于视觉叙事方法

Q3 Social Sciences
Phoebe Elers, S. Elers, M. Dutta, R. Torres
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引用次数: 5

摘要

摘要视觉和数字讲故事的方法可以将研究参与者重新定位为知识的共同创造者,促进与边缘化人群的接触和合作,并提供更深入的自我表达。然而,这些方法是在权力的复杂地形中形成的。如果不不断削弱权力失衡,这些方法将有助于压制和消除边缘化社区。这项研究概述了自反性作为一种方法论工具和以文化为中心的方法的一部分,如何能够对权力的地形进行审问,从而不断开放民主的可能性和社区对视觉和数字故事基础设施的所有权。“贫穷不是我们的未来”运动的摘录说明了这一论点。该运动联合制作的视听广告传达了居住在新西兰奥特亚奥克兰一个贫困郊区的居民的日常贫困故事,并作为对主导结构抵抗的视觉叙事。这项研究有助于文化与传播的批判性理论以及视觉故事的共同构建。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Applying the Culture-Centered Approach to visual storytelling methods
ABSTRACT Visual and digital storytelling methods can reposition research participants as coproducers of knowledge, foster engagement and collaboration with marginalized peoples, and offer greater depth of self-expression. However, these methods are constituted in complex terrains of power. Without continual attenuation to power imbalances, the methods will contribute to the silencing and erasure of marginalized communities. This study outlines how reflexivity as a methodological tool and part of the Cultured-Centered Approach can enable the interrogation of terrains of power, allowing for the continual opening of democratic possibilities and community ownership of visual and digital storytelling infrastructures. Excerpts from the “Poverty Is Not Our Future” campaign illustrate the argument. The campaign's cocreated audio-visual advertisements communicate everyday stories of poverty among residents living in a poor suburban site in Auckland, Aotearoa New Zealand, and serve as a visual narrative of resistance to dominant structures. This study contributes to critical theorizing of culture and communication and the coconstruction of visual stories.
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来源期刊
Review of Communication
Review of Communication Social Sciences-Communication
CiteScore
1.70
自引率
0.00%
发文量
16
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