{"title":"赋权,你的名字是女人:印度的生活女权主义和印度语SVOD平台","authors":"Runa Chakraborty Paunksnis","doi":"10.1080/14649373.2023.2209437","DOIUrl":null,"url":null,"abstract":"ABSTRACT This essay problematises representations of Indian women on the SVOD (Subscription Video on Demand) platforms. The oft-invoked image of Indian woman as the repository of traditional values and feminine virtues has undergone a phenomenal transformation in recent years owing to several factors such as economic liberalisation, globalisation and technological revolution. Female characters in most of the SVOD contents are often depicted as independent, agentic and empowered. Nevertheless, the nature of empowerment that these contents uphold is highly controversial from a feminist standpoint. Employing critique of postfeminism as an analytical tool, this paper argues that the representation of Indian women on SVOD platforms as empowered subjects is an outcome of a negotiation between postfeminism, patriarchy and neoliberal culture of consumption.","PeriodicalId":46080,"journal":{"name":"Inter-Asia Cultural Studies","volume":"24 1","pages":"538 - 553"},"PeriodicalIF":0.3000,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Empowered, thy name is woman: lite feminism and Hindi SVOD platforms in India\",\"authors\":\"Runa Chakraborty Paunksnis\",\"doi\":\"10.1080/14649373.2023.2209437\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This essay problematises representations of Indian women on the SVOD (Subscription Video on Demand) platforms. The oft-invoked image of Indian woman as the repository of traditional values and feminine virtues has undergone a phenomenal transformation in recent years owing to several factors such as economic liberalisation, globalisation and technological revolution. Female characters in most of the SVOD contents are often depicted as independent, agentic and empowered. Nevertheless, the nature of empowerment that these contents uphold is highly controversial from a feminist standpoint. Employing critique of postfeminism as an analytical tool, this paper argues that the representation of Indian women on SVOD platforms as empowered subjects is an outcome of a negotiation between postfeminism, patriarchy and neoliberal culture of consumption.\",\"PeriodicalId\":46080,\"journal\":{\"name\":\"Inter-Asia Cultural Studies\",\"volume\":\"24 1\",\"pages\":\"538 - 553\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-06-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Inter-Asia Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/14649373.2023.2209437\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Inter-Asia Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/14649373.2023.2209437","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
Empowered, thy name is woman: lite feminism and Hindi SVOD platforms in India
ABSTRACT This essay problematises representations of Indian women on the SVOD (Subscription Video on Demand) platforms. The oft-invoked image of Indian woman as the repository of traditional values and feminine virtues has undergone a phenomenal transformation in recent years owing to several factors such as economic liberalisation, globalisation and technological revolution. Female characters in most of the SVOD contents are often depicted as independent, agentic and empowered. Nevertheless, the nature of empowerment that these contents uphold is highly controversial from a feminist standpoint. Employing critique of postfeminism as an analytical tool, this paper argues that the representation of Indian women on SVOD platforms as empowered subjects is an outcome of a negotiation between postfeminism, patriarchy and neoliberal culture of consumption.
期刊介绍:
The cultural question is among the most important yet difficult subjects facing inter-Asia today. Throughout the 20th century, worldwide competition over capital, colonial history, and the Cold War has jeopardized interactions among cultures. Globalization of technology, regionalization of economy and the end of the Cold War have opened up a unique opportunity for cultural exchanges to take place. In response to global cultural changes, cultural studies has emerged internationally as an energetic field of scholarship. Inter-Asia Cultural Studies gives a long overdue voice, throughout the global intellectual community, to those concerned with inter-Asia processes.