纳普斯特克博物馆收藏的乌兹别克人头饰品

Tereza Hejzlarová
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引用次数: 0

摘要

首饰在中亚妇女生活的各个阶段都占有重要地位。在过去,每一件珠宝都有固定的形式和特定的意义,这取决于它们佩戴在身体的哪个部位。大多数珠宝都是用来装饰上半身的,在数量最多的珠宝中,有一套是头饰。这些主要是各种类型的冠冕,配对和单独的垂饰,附在头饰或头发上,最后但并非最不重要的是,各种形状和大小的耳环。Náprstek亚洲、非洲和美洲文化博物馆的藏品包括一套来自乌兹别克斯坦的头饰,这些头饰可以追溯到19世纪末和20世纪初,当时珠宝商在该地区的创作仍然是高质量的。这套珠宝以三种当地风格为代表——撒马尔罕、布哈拉和塔什干。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Uzbek Head Ornaments from the Collection of the Náprstek Museum
Abstract Jewellery occupied an important place in the various life stages of Central Asian women. Individual jewels that formed sets depending on which parts of the body they were worn on had in a steady form and a particular meaning in the past. Most of the items of jewellery were designed to decorate the upper half of the body, and among the most numerous sets there was a set of head ornaments. These were mainly various types of diadems, paired and individual pendants that were attached to the headdress or to the hair and, last but not least, earrings of various shapes and sizes. The collections of the Náprstek Museum of Asian, African and American Cultures feature a set of head ornaments from Uzbekistan dating back to the late 19th and early 20th century when the jeweller’s creations of the region were still of high quality. The set is represented by jewellery of three local styles – Samarkand, Bukhara and Tashkent.
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来源期刊
Annals of the Naprstek Museum
Annals of the Naprstek Museum Arts and Humanities-History
CiteScore
0.40
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