杀手肖像:20世纪90年代的都市传奇与道德恐慌

Q3 Social Sciences
Olga Boitsova
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引用次数: 0

摘要

20世纪90年代,在俄罗斯和其他国家,都有关于撒旦教徒存在的传言;这些有时会导致研究人员所描述的所谓“撒旦恐慌”。该论文致力于1996-1997年在俄罗斯斯维尔德洛夫斯克和莫斯科地区流传的关于撒旦教徒的城市传说。根据传言,一些由专业摄影师拍摄的儿童肖像包括其他人的身体部位、葬礼、用具以及照片和相框之间的其他异物的照片,这对肖像中描绘的儿童造成了伤害。本文基于对媒体(报纸和电视节目)的分析,以及2006年对事件目击者和参与者的采访。引用2000年代至2010年代在互联网上发布的同一城市传说的版本进行比较。作为一种理论方法,道德恐慌的概念得到了应用。本文对都市传说爆炸性传播的原因和道德恐慌的特殊形式提出了质疑。这篇论文表明,肖像作为一种影响被描绘者的手段,以及通过肖像造成损害的可能性的想法——在19世纪,这导致了对所谓“地狱描绘图标”的恐慌——在俄罗斯仍然存在,并在20世纪90年代的道德恐慌中发挥了作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Killer Portraits: An Urban Legend and Moral Panic of the 1990s
In the 1990s in Russia—as well as in other countries—there were rumors about the existence of Satanists; these sometimes lead to the so-called “Satanic Panics” described by researchers. The paper is devoted to the urban legend about Satanists that circulated in 1996–1997 in the Sverdlovsk and Moscow Regions of Russia. According to the rumors, some portraits of children taken by professional photographers included photographs of other people’s body parts, funerals, paraphernalia, and other foreign objects between the picture and its frame, which caused harm to the child depicted in the portrait. The paper is based on an analysis of the media (newspapers and a television program) and an interview taken in 2006 with a witness and participant of the events. Versions of the same urban legend published on the Internet in the 2000s–2010s are invoked for comparison. As a theoretical approach, the concept of moral panics is applied. The paper raises questions about the reasons for the explosive spread of the urban legend and the particular form of the moral panic. The paper shows that the idea of a portrait as a means of influence over the depicted person and of the possibility of damage through the image—which, in the 19th century, led to panics over the so-called “hell-depicting icons”—still exists in Russia and played its role in the moral panic of the 1990s.
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来源期刊
Antropologicheskij Forum
Antropologicheskij Forum Social Sciences-Cultural Studies
CiteScore
0.40
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发文量
23
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