拜伦的《马泽帕》和普希金的《波尔塔瓦》中伊万·马泽帕的文学形象。比较分析

T. Krol
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引用次数: 0

摘要

本文对拜伦诗歌《马泽帕》(1819)和普希金诗歌《波尔塔瓦》(1829)中的主人公伊万·马泽帕进行了比较分析。它简要概述了马泽帕是谁,以确定这位历史人物吸引了伟大浪漫主义者的大量关注的原因。本文运用玛丽·n·莱扬(Mary N. Layoun)的接受理论中的识别理论方法和文学作品差异的并置,考察了拜伦和普希金诗歌中马泽帕形象的文学描绘的差异性。马泽帕和波尔塔瓦的并列说明了马泽帕的传记和功绩的细节如何激发了拜伦的创造性想象力,点燃了他讲述马泽帕故事的愿望,这与普希金对同一主人公的呈现形成了对比,后者是由他自己对围绕大北方战争事件的政治方面的观点产生的,特别是波尔塔瓦战役。本文运用汉斯·罗伯特·约斯的期待视界概念来考察普希金接受拜伦的情况。它认为,普希金与拜伦的分歧背后的本质是他对这个主题的情感投入。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The literary portrayals of Ivan Mazepa in Byron’s Mazeppa and Pushkin’s Poltava. A comparative analysis
This article provides a comparative analysis of Ivan Mazepa – the protagonist in the poems Mazeppa (1819) by George Gordon Byron and Poltava (1829) by Alexander Pushkin. It gives a brief outline of who Mazepa was to identify the reasons for this historical figure to have attracted the considerable attention of the Great Romantics. Deploying the theoretical method on recognition and the juxtaposition of differences of literary works within Reception theory developed by Mary N. Layoun, the article examines aspects of dissimilarity in the literary portrayals of the image of Mazepa in Byron’s and Pushkin’s poems. The juxtaposition of Mazeppa and Poltava explains ways in which details from Mazepa’s biography and exploits that inspired Byron’s creative imagination and kindled his desire to recount the story of Mazepa can be contrasted with Pushkin’s presentation of the same protagonist as generated by his own viewpoints on the political aspects surrounding the events of the Great Northern War, specifically the Battle of Poltava. The article applies Hans Robert Jauss’s concept of the horizon of expectations to examine the case of Pushkin’s reception of Byron. It argues that what underlies the nature of Pushkin’s disagreement with Byron is his emotional involvement with the subject matter.
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