{"title":"黑人女性身体与“白人”观","authors":"Dominika Czarnecka","doi":"10.30965/18763308-04702006","DOIUrl":null,"url":null,"abstract":"\nThis article contributes to the studies of living human exhibitions in Eastern Europe or, more precisely, in Polish territory in the late partition period. The article intends to demonstrate the strategies of presenting Black African women in Warsaw, Cracow, and Poznań. The idea of construing the view has been used as a key concept to look into the processes of the sexualization and racialization of the Others’ female bodies and the construction of “savagery” in the context of nineteenth-century visual culture.","PeriodicalId":40651,"journal":{"name":"East Central Europe","volume":"47 1","pages":"285-312"},"PeriodicalIF":0.2000,"publicationDate":"2020-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Black Female Bodies and the “White” View\",\"authors\":\"Dominika Czarnecka\",\"doi\":\"10.30965/18763308-04702006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThis article contributes to the studies of living human exhibitions in Eastern Europe or, more precisely, in Polish territory in the late partition period. The article intends to demonstrate the strategies of presenting Black African women in Warsaw, Cracow, and Poznań. The idea of construing the view has been used as a key concept to look into the processes of the sexualization and racialization of the Others’ female bodies and the construction of “savagery” in the context of nineteenth-century visual culture.\",\"PeriodicalId\":40651,\"journal\":{\"name\":\"East Central Europe\",\"volume\":\"47 1\",\"pages\":\"285-312\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-11-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"East Central Europe\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30965/18763308-04702006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"East Central Europe","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30965/18763308-04702006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
This article contributes to the studies of living human exhibitions in Eastern Europe or, more precisely, in Polish territory in the late partition period. The article intends to demonstrate the strategies of presenting Black African women in Warsaw, Cracow, and Poznań. The idea of construing the view has been used as a key concept to look into the processes of the sexualization and racialization of the Others’ female bodies and the construction of “savagery” in the context of nineteenth-century visual culture.