{"title":"当代沉思电影中的风景情色","authors":"Rosine Bénard O’Kelly","doi":"10.1080/20539320.2020.1885174","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article questions how contemplative contemporary cinema “sexualize” the landscapes. Through the filmography of four directors, Abbas Kiarostami, Apichatpong Weerasethakul, Lars von Trier and Bruno Dumont, the relationships between nature and human body are highlighted. Furthermore, based on the “eroticism” notion developed by Georges Bataille, our study tries to emphasize how these relationships turn out to be synonymous with bliss but at the same time with terror.","PeriodicalId":41067,"journal":{"name":"Journal of Aesthetics and Phenomenology","volume":"7 1","pages":"159 - 171"},"PeriodicalIF":0.2000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Eroticism of Landscape in Contemporary Contemplative Cinema\",\"authors\":\"Rosine Bénard O’Kelly\",\"doi\":\"10.1080/20539320.2020.1885174\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article questions how contemplative contemporary cinema “sexualize” the landscapes. Through the filmography of four directors, Abbas Kiarostami, Apichatpong Weerasethakul, Lars von Trier and Bruno Dumont, the relationships between nature and human body are highlighted. Furthermore, based on the “eroticism” notion developed by Georges Bataille, our study tries to emphasize how these relationships turn out to be synonymous with bliss but at the same time with terror.\",\"PeriodicalId\":41067,\"journal\":{\"name\":\"Journal of Aesthetics and Phenomenology\",\"volume\":\"7 1\",\"pages\":\"159 - 171\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Aesthetics and Phenomenology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20539320.2020.1885174\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Aesthetics and Phenomenology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20539320.2020.1885174","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
摘要
摘要本文质疑沉思的当代电影如何将风景“性化”。通过Abbas Kiarostami、Apichatpong Weerasethakul、Lars von Trier和Bruno Dumont四位导演的电影记录，突出了自然与人体之间的关系。此外，基于Georges Bataille提出的“情色”概念，我们的研究试图强调这些关系是如何成为幸福的同义词，同时又是恐怖的同义词。
The Eroticism of Landscape in Contemporary Contemplative Cinema
ABSTRACT This article questions how contemplative contemporary cinema “sexualize” the landscapes. Through the filmography of four directors, Abbas Kiarostami, Apichatpong Weerasethakul, Lars von Trier and Bruno Dumont, the relationships between nature and human body are highlighted. Furthermore, based on the “eroticism” notion developed by Georges Bataille, our study tries to emphasize how these relationships turn out to be synonymous with bliss but at the same time with terror.
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