南亚COVID-19回忆录:哀悼和抹去“悲惨的生命”

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
L. Basu
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引用次数: 0

摘要

本文分析了关于新冠肺炎大流行的叙述如何开始纪念在危机中失去的生命。它将作者失去家庭成员的个人经历与南亚女性新出现的回忆录并列在一起,以探索抒情散文和纪念新冠肺炎生命的图形回忆录等类型的多样性。文章承认,当前的疫情及其影响远未结束,但认为这些回忆录是有意识地哀悼,从而恢复由于新冠肺炎死亡和葬礼法律的孤立和官僚作风而被剥夺传统纪念行为的生命的人性。Barkha Dutt、Kay Sohini和Jhumpa Lahiri的这些文本是例外的,因为在这段时间里,绝大多数死亡都被删除、缺乏文件或审查。这些文本正在抵制摆脱疫情并恢复正常生活的主导趋势。通过致力于悲伤而不是简单的康复,这些回忆录不仅描绘了一条私人的治愈之路,而且还将私人的悲伤转化为共同痛苦和团结的声明,即使疫情对个人的影响因种族、阶级和特权的不同而不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
South Asian COVID-19 Memoirs: Mourning and Erasure of “Grievable Lives”
This article analyzes how narratives about the COVID-19 pandemic are beginning to memorialize lives lost in the crisis. It juxtaposes the author’s personal experience of the loss of family members with emerging memoirs by South Asian women to explore the diversity of genres like the lyric essay and the graphic memoir that memorialize lives lost to COVID-19. While acknowledging that the current pandemic and its effects are far from over, the essay argues that these memoirs are a conscious attempt to mourn and thereby restore the humanity of lives robbed of traditional acts of remembrance due to the isolation and bureaucracy of laws governing COVID-19 deaths and funerals. These texts by Barkha Dutt, Kay Sohini, and Jhumpa Lahiri are exceptional because the great majority of deaths during this time have been consigned to erasure, lack of documentation, or censorship. These texts are resisting the dominant trend to leave the pandemic behind and resume normal lives. By committing to grief instead of a facile recuperation, these memoirs are not just charting a private path of healing but also transforming private grief into a statement of shared suffering and solidarity, even when the pandemic has affected individuals differently based on stratifications of race, class, and privilege.
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CiteScore
0.60
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