重新想象前现代写作的性别和阶级动态

IF 0.2 0 RELIGION
Mika Ahuvia
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引用次数: 0

摘要

这篇文章认为,最近关于前现代构图的学术研究有助于重新定义包括被奴役妇女在内的不同人群在涂鸦空间中的存在。一个简短的历史部分回顾了学者们如何将规范的犹太人想象成精英识字男性,忽视了对抄写员口述的证据,从而将下层女性的证据排除在他们对过去的想象之外。将Wendy Doniger对宗教文本中单一男性作者类别的拒绝应用于犹太文本,提出了一种启发式工具来识别女性在古代散文、礼拜仪式和仪式文本中的存在和视角。最后,分析了四个咒语碗作为该方法的测试案例。对于抄写员创作的每一篇文本,学者们都应该想象一个至少有两个人的动态组成环境,他们可以寻找基于宗教标记、阶级地位和性别关注的观点被包容和排斥的证据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reimagining the Gender and Class Dynamics of Premodern Composition
This article argues that recent scholarship on premodern composition can help to reconceptualize the presence of diverse people, including enslaved women, in scribal spaces. A brief historiographic section reviews how scholars have imagined normative Jews to be elite literate men, neglecting evidence of dictation to scribes, and thus excluded evidence of lower-class women especially from their imagining of the past. Applying Wendy Doniger’s rejection of the category of the singular male author in religious texts to Jewish texts, it proposes a heuristic tool to identify women’s presence and perspectives in ancient prose, liturgical, and ritual texts. Finally, it analyzes four incantation bowls as test-cases of this approach. For every text produced by a scribe, scholars ought to imagine a dynamic compositional environment with at least two people, and they can look for evidence of inclusion and exclusion of perspectives based on religious markers, class status, and gendered concerns.
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来源期刊
CiteScore
0.30
自引率
50.00%
发文量
17
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