摄影史特刊《复制品》

IF 0.3 2区 艺术学 0 ART
Sofya Dmitrieva, Dominique de Font-Réaulx, M. Henning, Patrizia Di Bello
{"title":"摄影史特刊《复制品》","authors":"Sofya Dmitrieva, Dominique de Font-Réaulx, M. Henning, Patrizia Di Bello","doi":"10.1080/03087298.2023.2202519","DOIUrl":null,"url":null,"abstract":"This special issue is a result of the conference Photographic Art Reproductions, from 1839 to the Present, held online on 23 July 2021 by the University of St Andrews (UK) and the Centre Andr e Chastel (France). A roundtable discussion between Dominique de Font-R eaulx, Patrizia Di Bello, Michelle Henning, Kim Timby and Sofya Dmitrieva closed the conference. By way of an introduction, we publish here a version of this conversation, based on questions subsequently submitted by Sofya Dmitrieva to the speakers.","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"46 1","pages":"1 - 8"},"PeriodicalIF":0.3000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reproductions, a Special Issue of History of Photography\",\"authors\":\"Sofya Dmitrieva, Dominique de Font-Réaulx, M. Henning, Patrizia Di Bello\",\"doi\":\"10.1080/03087298.2023.2202519\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This special issue is a result of the conference Photographic Art Reproductions, from 1839 to the Present, held online on 23 July 2021 by the University of St Andrews (UK) and the Centre Andr e Chastel (France). A roundtable discussion between Dominique de Font-R eaulx, Patrizia Di Bello, Michelle Henning, Kim Timby and Sofya Dmitrieva closed the conference. By way of an introduction, we publish here a version of this conversation, based on questions subsequently submitted by Sofya Dmitrieva to the speakers.\",\"PeriodicalId\":13024,\"journal\":{\"name\":\"History of Photography\",\"volume\":\"46 1\",\"pages\":\"1 - 8\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"History of Photography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03087298.2023.2202519\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"History of Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03087298.2023.2202519","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

摘要

本特刊是圣安德鲁斯大学(英国)和安德雷·沙特尔中心(法国)于2021年7月23日在线举行的1839年至今的摄影艺术再现会议的成果。Dominique de Font-R eaulx、Patrizia Di Bello、Michelle Henning、Kim Timby和Sofya Dmitrieva之间的圆桌讨论结束了会议。作为介绍,我们在这里发布了这段对话的一个版本,基于Sofya Dmitrieva随后向演讲者提交的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reproductions, a Special Issue of History of Photography
This special issue is a result of the conference Photographic Art Reproductions, from 1839 to the Present, held online on 23 July 2021 by the University of St Andrews (UK) and the Centre Andr e Chastel (France). A roundtable discussion between Dominique de Font-R eaulx, Patrizia Di Bello, Michelle Henning, Kim Timby and Sofya Dmitrieva closed the conference. By way of an introduction, we publish here a version of this conversation, based on questions subsequently submitted by Sofya Dmitrieva to the speakers.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.30
自引率
50.00%
发文量
23
期刊介绍: History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信