奢侈品的脆弱边界:犀牛和威尼斯:特别版介绍

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Catherine Kovesi
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引用次数: 0

摘要

威尼斯市最重要的宗教建筑圣马可大教堂(Basilica di San Marco)的商店里出售的小饰品中,有一块小冰箱磁铁,上面用马赛克描绘了一头犀牛。这幅威尼斯马赛克可以说是自四世纪以来西欧已知的第一幅犀牛画。无论这些小饰品的营销对象是否已经看到,甚至设法找到了隐藏在小教堂附近地板上的大教堂内的马赛克,这块磁铁都体现了本期《奢侈品》特刊的核心主题:历史、文化、消费。我深感感激和荣幸的是,乔纳森·费尔斯(Jonathan Faiers)被说服了这本最初不太可能的主题组合的及时性,这是他作为自己创办的杂志的最后一期编辑,也是一本独特的《鲁日报》:10.1080/20 51 18 17.2 02 0。18 64 59 2
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Luxury’s Fragile Frontier: The Rhinoceros and Venice: An Introduction to a Special Edition
Amongst the trinkets available for sale in the shop of the Basilica di San Marco, the most important religious edifice of the city of Venice, is a small fridge magnet depicting a rhinoceros in mosaic. This Venetian mosaic is arguably the first known representation of a rhinoceros in Western Europe since the fourth century. Whether or not the mass touristic hordes to whom such trinkets are marketed have seen or even managed to find this mosaic hidden within the Basilica on the floor near a side chapel, this magnet embodies the core themes of this special issue of Luxury: History, Culture, Consumption. I feel a sense of deep gratitude and privilege that Jonathan Faiers was persuaded of the timeliness of an initially unlikely pairing of themes in this, his last issue as editor of the journal he founded, and a journal which is uniquely Lu xu ry D O I: 10 .1 08 0/ 20 51 18 17 .2 02 0. 18 64 59 2
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来源期刊
Luxury-History Culture Consumption
Luxury-History Culture Consumption HUMANITIES, MULTIDISCIPLINARY-
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