{"title":"铸造底片：在暗室的光线下，Medardo Rosso的《Ecce Puer》","authors":"Damian Taylor","doi":"10.3828/SJ.2019.28.1.4","DOIUrl":null,"url":null,"abstract":"Medardo Rosso (1858–1928) devoted his last decades to revising his existing sculptural corpus in unconventional ways. Key to this was his hands-on attention to casting and photography. Developing f...","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2019-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Casting negatives: Medardo Rosso’s Ecce Puer in light of the darkroom\",\"authors\":\"Damian Taylor\",\"doi\":\"10.3828/SJ.2019.28.1.4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Medardo Rosso (1858–1928) devoted his last decades to revising his existing sculptural corpus in unconventional ways. Key to this was his hands-on attention to casting and photography. Developing f...\",\"PeriodicalId\":21666,\"journal\":{\"name\":\"Sculpture Journal\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2019-05-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sculpture Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/SJ.2019.28.1.4\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sculpture Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/SJ.2019.28.1.4","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Casting negatives: Medardo Rosso’s Ecce Puer in light of the darkroom
Medardo Rosso (1858–1928) devoted his last decades to revising his existing sculptural corpus in unconventional ways. Key to this was his hands-on attention to casting and photography. Developing f...
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
