{"title":"离队:博洛尼亚是20世纪90年代意大利年轻人的都市神话","authors":"Cecilia Brioni","doi":"10.1386/jucs_00042_1","DOIUrl":null,"url":null,"abstract":"Since the end of the 1970s, Bologna has represented an ‘urban mythscape’ for left-wing subcultural youth in the Italian cultural imaginary. This article examines representations of spaces of encounter and conflict for young people in Bologna in Silvia Ballestra’s La\n guerra degli Antò (1992) and Enrico Brizzi’s Jack Frusciante è uscito dal gruppo (1994). Set in the 1990s, these novels mark a significant change in Bologna’s urban mythscape, in that they do not refer back to the 1970s like the majority of cultural representations\n of youth set in Bologna. The protagonists’ desire to ‘leave society’ and withdraw into private spaces reflects an evolution in representations of Italian subcultural youth, which mirrors the emergence of Italian ‘Generation X’ and their experience of social and\n political commitment.","PeriodicalId":36149,"journal":{"name":"Journal of Urban Cultural Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Leaving the group: Bologna as an urban mythscape for 1990s Italian youth\",\"authors\":\"Cecilia Brioni\",\"doi\":\"10.1386/jucs_00042_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Since the end of the 1970s, Bologna has represented an ‘urban mythscape’ for left-wing subcultural youth in the Italian cultural imaginary. This article examines representations of spaces of encounter and conflict for young people in Bologna in Silvia Ballestra’s La\\n guerra degli Antò (1992) and Enrico Brizzi’s Jack Frusciante è uscito dal gruppo (1994). Set in the 1990s, these novels mark a significant change in Bologna’s urban mythscape, in that they do not refer back to the 1970s like the majority of cultural representations\\n of youth set in Bologna. The protagonists’ desire to ‘leave society’ and withdraw into private spaces reflects an evolution in representations of Italian subcultural youth, which mirrors the emergence of Italian ‘Generation X’ and their experience of social and\\n political commitment.\",\"PeriodicalId\":36149,\"journal\":{\"name\":\"Journal of Urban Cultural Studies\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Urban Cultural Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jucs_00042_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Urban Cultural Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jucs_00042_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
摘要
自20世纪70年代末以来,博洛尼亚一直代表着意大利文化想象中左翼亚文化青年的“城市神话”。本文考察了Silvia Ballestra的《La guerra degli Antå》(1992)和Enrico Brizzi的《Jack Fruscianteèuscito dal gruppo》(1994)中对博洛尼亚年轻人遭遇和冲突空间的描述。这些小说以20世纪90年代为背景,标志着博洛尼亚城市神话的一个重大变化,因为它们不像大多数以博洛尼亚为背景的青年文化代表那样指向20世纪70年代。主人公渴望“离开社会”,进入私人空间,这反映了意大利亚文化青年形象的演变,反映了意大利“X世代”的出现及其社会和政治承诺的经历。
Leaving the group: Bologna as an urban mythscape for 1990s Italian youth
Since the end of the 1970s, Bologna has represented an ‘urban mythscape’ for left-wing subcultural youth in the Italian cultural imaginary. This article examines representations of spaces of encounter and conflict for young people in Bologna in Silvia Ballestra’s La
guerra degli Antò (1992) and Enrico Brizzi’s Jack Frusciante è uscito dal gruppo (1994). Set in the 1990s, these novels mark a significant change in Bologna’s urban mythscape, in that they do not refer back to the 1970s like the majority of cultural representations
of youth set in Bologna. The protagonists’ desire to ‘leave society’ and withdraw into private spaces reflects an evolution in representations of Italian subcultural youth, which mirrors the emergence of Italian ‘Generation X’ and their experience of social and
political commitment.