Milena Lenderová
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引用次数: 0

摘要

LENDEROVÁ,Milena。“伟大”法国革命女性参与者的捷克形象:史学和“美女文学”。《腈史研究》,2021年,第25卷,第2期,第408-422页,ISSN 1338-7219,DOI:10.17846/SHN.2021.25.2.408-422。在我们的文章中,我们试图在捷克背景下,根据19世纪50年代至今发表的关于法国革命的原始捷克科学和文字反映,重建法国革命中的女性角色。捷克的大多数作品——以及外国的作品——都反映了感觉(男性气质的建构)与情感(女性气质的构建)的二分法,以及19世纪初构思的坚定信念:女性属于私人空间,为家庭工作,而“公共福利”,即男性的领地,仍然遥不可及(受到限制)为她。这种观点甚至在20世纪六七十年代的作品中仍然存在。只有最新的作品才引起人们的注意,在革命的关键阶段,将女性排除在政治生活之外不可能是绝对的,这一点的反思不仅在女权主义史上,而且在整个性别关系史上都是一个关键时刻。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Obraz žen francouzské revoluce v jazykově české odborné a populární literaturě
LENDEROVÁ, Milena. Czech image of female participants of the „great“ French revolution: historiography and „belles lettres“. In Studia Historica Nitriensia, 2021, vol. 25, no. 2, pp. 408-422, ISSN 1338-7219, DOI: 10.17846/SHN.2021.25.2.408-422. In our article we have attempted a reconstruction of female part in the French revolution in the Czech background based on original Czech scientific and literal reflections of the revolution published between the 1850s ́ and present. Most of the Czech works – as well as foreign ones – reflect the dichotomy of sense (construct of masculinity) vs. emotions (construct of femininity), as well as a persevering conviction conceived at the beginning of the 19th century: a woman belongs to the private space and works for the family, while the „public welfare“, the man‘s territory, remains out of reach (restricted) for her. This opinion residues even in works from the 60s ́ and 70s ́ of the 20th century. Only the latest works have brought to attention the fact that excluding women from political life in the crucial phase of the revolution could not have been absolute and that its reflection is a key moment not only in the history of feminism, but the history of gender relations in general.
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来源期刊
Studia Historica Nitriensia
Studia Historica Nitriensia Arts and Humanities-History
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: The Studia Historica Nitriensia (SHN) journal is a common project of the Departments of History, Archaeology and Museology of the Faculty of Arts of the Constantine the Philosopher University in Nitra which was first issued in 1993. Besides studies (historical, archaeological or museological), it contains the following sections: materials, discussion contributions, perspectives, reviews and annotations of new literature as well as chronicle with short reports from conferences and meetings.
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