{"title":"老无所依:《一个叫爱的男人》和《百岁老人》中关于福利社会缺陷的乌托邦故事","authors":"Anders Marklund","doi":"10.1080/20004214.2018.1438732","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article explores the similarities between the two most successful Swedish films of the past years. Through a focus on the two elderly protagonists the article discusses how the films acknowledge challenges in these men’s lives and in both contemporary and past society, but effectively repackage any serious issue in a form that remains palatable to audiences in Sweden and internationally. Themes discussed include the Swedish welfare state, community and new families of choice, as well as aspects of globalization.","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2018-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20004214.2018.1438732","citationCount":"0","resultStr":"{\"title\":\"No country for old men: utopian stories of welfare society’s shortcomings in A Man Called Ove and The 100-Year-Old Man\",\"authors\":\"Anders Marklund\",\"doi\":\"10.1080/20004214.2018.1438732\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article explores the similarities between the two most successful Swedish films of the past years. Through a focus on the two elderly protagonists the article discusses how the films acknowledge challenges in these men’s lives and in both contemporary and past society, but effectively repackage any serious issue in a form that remains palatable to audiences in Sweden and internationally. Themes discussed include the Swedish welfare state, community and new families of choice, as well as aspects of globalization.\",\"PeriodicalId\":43229,\"journal\":{\"name\":\"Journal of Aesthetics & Culture\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2018-04-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/20004214.2018.1438732\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Aesthetics & Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20004214.2018.1438732\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Aesthetics & Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20004214.2018.1438732","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
No country for old men: utopian stories of welfare society’s shortcomings in A Man Called Ove and The 100-Year-Old Man
ABSTRACT This article explores the similarities between the two most successful Swedish films of the past years. Through a focus on the two elderly protagonists the article discusses how the films acknowledge challenges in these men’s lives and in both contemporary and past society, but effectively repackage any serious issue in a form that remains palatable to audiences in Sweden and internationally. Themes discussed include the Swedish welfare state, community and new families of choice, as well as aspects of globalization.
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