{"title":"意大利-德国关于文学和语言的对话。有争议的出生","authors":"Fabio Sangiovanni","doi":"10.24053/ital-2021-0004","DOIUrl":null,"url":null,"abstract":"In 1983, Wilhelm Pötters introduced to the Italian attention a new theory on the genesis of the sonnet based on the relationship between mathematics and metrics, integrating the problem of ‘derivation’ with that of ‘invention’: it was the beginning of a heated debate, initiated by a single research project in Germany and welcomed in Italy by touchy refusals or enthusiastic acceptance, of which this contribution gives an overall interpretation.","PeriodicalId":35113,"journal":{"name":"Italienisch","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"«Intrecci di fiori e di allori» Dialoghi italo-tedeschi su letteratura e linguistica. Una nascita controversa\",\"authors\":\"Fabio Sangiovanni\",\"doi\":\"10.24053/ital-2021-0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 1983, Wilhelm Pötters introduced to the Italian attention a new theory on the genesis of the sonnet based on the relationship between mathematics and metrics, integrating the problem of ‘derivation’ with that of ‘invention’: it was the beginning of a heated debate, initiated by a single research project in Germany and welcomed in Italy by touchy refusals or enthusiastic acceptance, of which this contribution gives an overall interpretation.\",\"PeriodicalId\":35113,\"journal\":{\"name\":\"Italienisch\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Italienisch\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24053/ital-2021-0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Italienisch","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24053/ital-2021-0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
«Intrecci di fiori e di allori» Dialoghi italo-tedeschi su letteratura e linguistica. Una nascita controversa
In 1983, Wilhelm Pötters introduced to the Italian attention a new theory on the genesis of the sonnet based on the relationship between mathematics and metrics, integrating the problem of ‘derivation’ with that of ‘invention’: it was the beginning of a heated debate, initiated by a single research project in Germany and welcomed in Italy by touchy refusals or enthusiastic acceptance, of which this contribution gives an overall interpretation.