Queering Russian cinema as a community-building practice

ABSTRACT LGBTQ media discourses in contemporary Russia have been extensively researched from the perspectives of media and queer studies. Scholars have theorised whether ‘queerness’ can be appropriated from the West and localised in Russia for the benefit of local LGBTQ communities. Building on existing scholarship, this article examines media discourses on queer film as initiated and maintained by representatives of Russian LGBTQ film audiences. I investigate how LGBTQ opinion leaders appropriate the term kvir (queer) in the context of viewing and interpreting contemporary, post-Soviet, and Soviet Russian cinema. I analyse how ‘queering’ is used as the optics for discerning obvious or ciphered visual and verbal expressions of non-heteronormative gender and sexuality on screen, at the same time reclaiming narratives of the recent and remote past, as both shared and individual LGBTQ histories.