艺术家传记小说中的战争话语:中介层面

Q2 Arts and Humanities
O. Levytska, Nataliia Mocherniuk
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引用次数: 1

摘要

本文分析了画家传记小说中的战争叙事与画家绘画的中介联系。分析的对象是曼弗雷德·施奈德、卡洛斯·罗哈斯和雅克·德内尔关于西班牙艺术家弗朗西斯科·戈雅的小说;拉尔夫·杜特里关于柴姆·苏汀的小说;还有一个单独的部分专门介绍乌克兰艺术家的小说:伊万·霍鲁布科夫斯基关于奥列克萨·诺瓦基夫斯基的文本,斯坦尼斯拉夫·斯特岑科关于米科拉·赫卢先科的作品,卡特琳娜·列贝迪耶娃关于莱斯·科兹洛夫斯基的书,沃洛德米尔·亚沃里夫斯基关于卡特琳娜·比洛库尔的小说。该研究的核心是基于I.Rajewski、A.Hansen-Löve、S.Macenka和A.Berger理论的中间方法论。小说中战争话语的不同方面及其与艺术家创作的互动已经被识别和强调,即战争的主题化、绘画创作的描述、对艺术作品的解释和引用、文学文本中艺术诗学的使用、战争所规定的创造力的美学和心理学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
War Discourse in the Biographical Novels About Artists: Intermedial Aspect
War narrative in the biographical novels about painters has been analysed in their intermedial links with the paintings of said artists. The object of analysis is novels about the Spanish artist Francisco Goya written by Manfred Schneider, Carlos Rojas, and Jacek Dehnel; Ralf Dutli’s novel about Chaim Soutine; and a separate section dedicated to a selection of novels about Ukrainian artists: Ivan Holubkovskyi’s text about Oleksa Novakivskyi, Stanislav Stetsenko’s work about Mykola Hlushchenko, Kateryna Lebedieva’s book about Les Kozlovskyi, Volodymyr Yavorivskyi’s novel about Kateryna Bilokur. At the core of the study is the intermedial methodology based on theory by I. Rajewski, A. Hansen-Löve, S. Macenka, and A. Berger. Different aspects of war discourse in novels and its interaction with the creations of artists have been identified and highlighted, i.e., thematisation of war, description of painting creation, ekphrasis and references to works of art, use of art poetics in a literary text, aesthetics and psychology of creativity stipulated by war.
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来源期刊
Respectus Philologicus
Respectus Philologicus Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
31
审稿时长
12 weeks
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